The Third Wife (2019)
The Third Wife
”A 14-year-old becomes the third wife of an older man in rural Vietnam, and must choose between personal freedom and safety when she develops an attraction to the second wife.”
Available at home
Rent or Buy
&plat_logo=https://media.filmelier.com/images/plataformas/icone_mobile/365599cc6c68bb404af36411d40a866c.png&link=https%3A%2F%2Fitunes.apple.com%2Fus%2Fmovie%2Fthe-third-wife%2Fid1463817130%3Fat%3D1000loWU "Apple TV (iTunes)")
Trailer
Why watch this film?
A visual delight. Everything is metaphorical and ethereal in this film, from the animal and plant presence to the frames. Awarded at the Toronto and San Sebastián film festivals, 'The Third Wife' is the feature debut of filmmaker Ash Mayfair, who has the artistic advice of Tran Anh Hung (‘The Scent of Green Papaya’), the most recognizable contemporary Vietnamese director. ‘The Third Wife’ unfolds as a delicious poem, a portrait of female identity, sexuality and responsibility in rural Vietnam in the 19th century.
Filmelier
Our suggestions
Plot summary
In the late 19th century in rural Vietnam, fourteen-year-old May is given away in an arranged marriage and becomes the third wife to her older husband, Hung. May learns that she can gain status and security if she gives birth to a male child. This becomes a real possibility when she gets pregnant. However, her path is fraught with danger when May starts to develop an attraction for Xuan, the second wife. As May observes the unfolding tragedy of forbidden love and its devastating consequences, she must make a choice, to either carry on in silence and safety or forge a way towards personal freedom.
To share
Do you want to watch something different?
Watch full movies now!
Press play and be surprised!
Where to watch?
Available at home
Drama
Underdog
In its effort to raise awareness about the precarious social reality of certain sectors of the population, Mexican cinema tends to fall into miserabilism (or so-called "poverty porn"), whether in documentaries or fiction. The quest of Mexican cinema for new creative and narrative horizons is ongoing, and in the case of Underdog (Correr para vivir), director and co-writer Gerardo Dorantes opts for what, in its conventions, is an action and crime thriller extrapolated to the context of the Rarámuri (or Tarahumara) indigenous people of northern Mexico, famous for their running tradition (and their extraordinary talent for it). The plot follows two brothers: Omero (Vladimir Rivera), who dreams of being a runner; and Capó (Manuel Cruz Vivas), who is more talented but also troubled. Both are dragged into a life of service to the drug trade when Capó, in an attempt to provide for his pregnant girlfriend, fails in a cocaine delivery. To be honest, it's a good attempt to steer Mexican cinema towards other directions that are not the typical exploitation of social dramas or anthropological documentaries. However, the film ends up falling into the same vices, representing Rarámuri culture from a superficial and idealized exoticism, creating entertainment from a real social context with little sensitivity.
Downtown Owl
'Downtown Owl' - Searching for a break from her cosmopolitan life in Milwaukee, Julia Rabia (Lily Rabe), arrives in the closeknit Reagan-era town of Owl, North Dakota for a one-semester high school teaching job. But when the small town turns out to be a wonderland of second-string poets, smoldering Marlboro Men, and a social hierarchy that echoes high school, Julia doesn't know if she's come to town to get away from home or to find it. Ed Harris, Vanessa Hudgens, Henry Golding, and Finn Wittrock also star in this Great Plains dark dramedy directed by Lily Rabe and Hamish Linklater. Based on the novel by Chuck Klosterman.
Baby
After his release from a juvenile center, Wellington finds himself homeless in São Paulo. At a porn theater, he meets Ronaldo, who mentors him in street survival. Their bond evolves into a turbulent affair.
Cake
'Cake' takes us into the darkly funny world of Claire Bennett (Jennifer Aniston) who initiates a dubious relationship with a widower (Sam Worthington) while confronting fantastical hallucinations of his dead wife (Anna Kendrick). With her feisty housekeeper cum caretaker (Adriana Barraza) ever at her side, Claire searches for human connection and self-forgiveness in this tale of personal redemption.
