The Shape of Water (2017)
The Shape of Water
”A mute janitor discovers a secret experiment that changes her life forever.”
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Why watch this film?
The most acclaimed and awarded movie of 2018, winning four Oscars - including Best Picture and Best Director. 'The Shape of Water' is a whimsical story, almost a dark fairy tale, that speaks to inclusion, diversity and love, using the Cold War as its backdrop. It's a beautiful feature film, full of details and with all the plasticity of Guillermo del Toro - in addition to being nostalgic in showing references to Hollywood's Golden Age, using the catchphrases of musicals.
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Plot summary
In the hidden high-security government laboratory where she works, lonely Elisa is trapped in a life of silence and isolation. Elisa’s life is changed forever when she and co-worker Zelda discover a secret classified experiment.
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From the same director
Crimson Peak
A tribute to classic gothic romances, such as "Wuthering Heights", but with the unique touch of filmmaker Guillermo Del Toro. It brings a simple yet very dark and engaging plot, with great attention to detail in the set design and costumes - as well as Jessica Chastain's performance. Selection from SXSW Festival.
Hellboy
Guillermo del Toro adapted the comics, by Mike Mignola, into this great production, starring Ron Perlman, Selma Blair and John Hurt. Hellboy is a demon, an anti-hero, breaking away from the standards of superhero stories, yet still fighting supernatural threats. The story is intriguing, well developed and the movie's visuals are very beautiful - as in other productions of the Mexican director.
Pan's Labyrinth
Guillermo del Toro's masterpiece, blending real facts like Franco's dictatorship in Spain with the culture and fantasy of the country. The photography and aesthetics are amazing, bringing this dark weight to the story. The feature film was extremely awarded, winning the Oscar in the categories of Best Art Direction, Best Photography and Best Makeup. The final result is touching.
Pacific Rim
As a self-proclaimed fan of anime and manga, as well as cinematic monsters, 'Titans of the Pacific' (‘Pacific Rim’) seems like a logical product within the filmography of its director, Mexican filmmaker Guillermo del Toro, even if it seems totally atypical after films like 'Cronos', 'The Devil's Backbone' and 'Pan's Labyrinth'. We are faced with what is simultaneously a crossover and a tribute to the ‘mecha’ genre anime (like 'Mobile Suit Gundam', 'Mazinger Z' and similar ones) and Japanese kaijū cinema (whose most famous exponent is, of course, 'Godzilla'). The result is a movie that may lack, for the most part, the thematic and emotional complexity of previous (and future) films by its director, but in exchange offers a dramatically solid blockbuster and visually spectacular, with the minute attention to detail that characterizes Del Toro, achieving robots and giant creatures that feel heavy, real. It has its flaws (is the fight scene with sticks really necessary?), but when it comes to 2010s blockbusters that do not belong to franchises, 'Titans of the Pacific' is undoubtedly one of the best.
Hellboy II: The Golden Army
The sequel to 'Hellboy', also by Guillermo del Toro and following the same dark atmosphere of the first movie, 'Hellboy II: The Golden Army' is another adaptation of the comics of Mike Mignola and follows the adventures of the antihero Hellboy. The movie manages to be as good as the previous one, and received an Oscar nomination for Best Makeup, rightfully so, given the great work.
Cronos
It is, quite simply, the feature-length debut of Mexican filmmaker Guillermo del Toro (“Pan's Labyrinth,” “The Shape of Water”), marking his first collaboration with actor Ron Perlman ("Hellboy"). From the start, “Cronos” showcased the director's style and thematic interests, his fondness for Gothic horror and tragic characters that walk the line between human and monster (with an ideal protagonist embodied by the first Argentine actor, Federico Luppi), and clear aesthetic inspiration from Hammer monsters. A must-see classic for both followers of the filmmaker and fans of horror.
Nightmare Alley
Guillermo del Toro has two great passions, both very clear in his filmography: cinematic art (mainly from the Golden Age of Hollywood) and the worst of humanity. However, if until now he has hidden this perception through metaphors about imaginary monsters, in 'Nightmare Alley' the Mexican leaves aside these subterfuges and embraces his own human monstrosity. In the story, which is a remake of the classic noir 'Lost Souls Alley', we meet Stanton Carlisle (Bradley Cooper), a man with a dark past who, when joining a circus, learns the art of human manipulation. From there, the feature touches on heavy topics such as addiction, degradation, violence, corruption, arrogance, guilt, abortion... All while we pass through real or figurative alleys, created from the great art direction. In the performances, Cooper brings a more naturalistic interpretation, exploring all the nuances of the various changes in the protagonist. The rest of the cast is stellar, with names like Willem Dafoe, Toni Collette, Richard Jenkins, Rooney Mara and Ron Perlman, but it is Cate Blanchett who steals the show. A sad, pessimistic, melancholic and dark movie, yes. However, a portrait of cruelty and human bestiality that, sooner or later, we must face.
Mimic
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Blade II
Guillermo del Toro's second foray into a Hollywood studio production (after his scabrous experience with 'Mimic') was, curiously, with a property drawn from Marvel Comics. 'Blade II' (also known as 'Blade II: Vampire Hunter' or 'Vampire Hunters II') sees its eponymous protagonist (Wesley Snipes) in an uncomfortable alliance with the Shadow Council to face a common enemy: the Reapers, a lethal race of vampires that attack both humans and their own species. Contrary to what happened with 'Mimic', Del Toro managed to imprint this 'Blade' sequel with a bit more of his characteristic aesthetic marks, in a story that fits well enough with his thematic interests, with an antagonist that seeks to escape his own decadence.
Pinocchio
A version of Pinocchio, by Carlo Collodi, adapted by Mexican filmmaker Guillermo del Toro (Pan's Labyrinth, The Shape of Water) and master of stop motion animation, Mark Gustafson (The Adventures of Mark Twain); could only result in one thing: a masterpiece of animation full of contrast that embraces the darkness of the source material, but also the innocence of fantasy to tell a magical tale of pain and loss, fear and fascism, family and joy. With the brilliant music of Alexandre Desplat as the icing on the cake, Guillermo del Toro's Pinocchio is simply a cinematic marvel (undeniably superior, it must be said, to the lazy remake that Disney decided to release in the same year).
Drama
Astral City 2: The Messengers
A group of messenger spirits led by Aniceto, including doctor André Luiz, are tasked with going to Earth to help rescue three proteges whose interconnected stories are about to fail.
Astral City: A Spiritual Journey
Life after death is the main theme in this drama about the process of transformation of a man during his surprising and enlightening experiences in the spiritual dimension. With magnificent art direction and special effects that have never been seen before in a Brazilian production, the film brings to the screen the most important work by Brazilian medium Chico Xavier who, through the account of the spirit of doctor André Luiz, describes in great detail what life is like at “ASTRAL CITY: A SPIRITUAL JOURNEY”.
20,000 Species of Bees
Lucía is an eight-year-old girl, who sometimes struggles as the world tries to catch up with the fact that she is trans. As the summer holidays pass, she explores her femininity alongside the women of her family who at the same time reflect on their own femininity.
Challengers
Tennis player turned coach Tashi has taken her husband, Art, and transformed him into a world-famous Grand Slam champion. To jolt him out of his recent losing streak, she signs him up for a “Challenger” event — close to the lowest level of pro tournament — where he finds himself standing across the net from his former best friend and Tashi’s former boyfriend.
