Why watch this film?
The coolest short film at the 2020 Toronto Film Festival. With a bold and original aesthetic, filmmaker Igor Drljaca shoots, with a Kodak 16mm camera, a group of friends in a dystopian future. Almost by chance, they stop at a house to see what's there. And among the overgrown vegetation and dust, they find a record. They put it on. And what they find is a battered and almost undecipherable version of 'Smalltown Boy', the classic Bronski Beat song. From there, the viewer is invited to dive into a story of musical experimentation, in which these friends in a dystopian and destroyed future try to build the culture of our times. It could go very wrong, but it's hard not to root for this good idea -- and excellent execution, it must be said -- to become a feature film in the near future.
Filmelier
Our suggestions
Plot summary
In a dystopian future, three musicians discover a degraded vinyl record and attempt to reimagine one of its songs.
To share
Do you want to watch something different?
Watch full movies now!
Press play and be surprised!
Where to watch?
Coming soon in theaters and home
Sci-Fi & Fantasy
Dredd
In the future, America is a dystopian wasteland. The latest scourge is Ma-Ma, a prostitute-turned-drug pusher with a dangerous new drug and aims to take over the city. The only possibility of stopping her is an elite group of urban police called Judges, who combine the duties of judge, jury and executioner to deliver a brutal brand of swift justice. But even the top-ranking Judge, Dredd, discovers that taking down Ma-Ma isn’t as easy as it seems in this explosive adaptation of the hugely popular comic series.
Rebel Moon - Part Two: The Scargiver
It was said about the first installment, and it can be said about Netflix's Rebel Moon (Part Two): it is a movie that only Zack Snyder fans will enjoy. The film continues to be a copy of the classic 'Seven Samurai', but in space: our heroes, led by Kora (Sofia Boutella), return to their small agricultural moon to prepare the defense against the invaders from the Empire. The story unfolds in a predictable manner (even more so if you've seen Kurosawa's classic), with Snyder's usual stylistic vices: overuse of slow motion and gratuitous Christian symbolism. If you liked the previous one (or the director's other movies), you will undoubtedly enjoy it. Otherwise, it might be better to skip it.
Godzilla x Kong: The New Empire
The MonsterVerse has successfully brought to the screen the battles of the two most iconic giant monsters in cinema, King Kong and Godzilla, the latter in its American reinterpretation. Godzilla x Kong: The New Empire is a new chapter in the franchise, although, truth be told, it doesn't bring much new. The duo are now allies in a fight for the fate not only of the Earth's surface but also of the world of the "hollow earth," where the titans come from. Don't expect here the deep anti-war allegory of Godzilla Minus One, the far superior Japanese film released just a few months prior. Here it's about seeing giant monsters smack each other in the face, like an hour of wrestlers aboard monster trucks. If that's what you're looking for, it's the movie for you. If you prefer some more humanity in your films, it's better to pass.
Code 8: Part II
Code 8 was an unexpectedly successful film, putting Robbie (from the series Upload) and Stephen Amell (Arrow) back on the map and captivating audiences with a compelling science fiction story. Now, the saga returns with an intense plot: after witnessing her brother's murder and the subsequent cover-up, a teenage girl with abnormal abilities seeks the help of an ex-convict (Robbie Amell) and his former crime partner (Stephen Amell). Together, they confront a unit of corrupt police officers who use advanced robotic technology to avoid being exposed. A clever and entertaining sequel.
