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Why watch this film?
One of the most beloved and praised Disney films, 'Beauty and the Beast' got its live-action version with Emma Watson and Dan Stevens as the leads, while the mediocre director Bill Condon ('Twilight') took on the responsibility behind the camera. The result is not quite grand either. The story is the same as the original animation released in the 1990s, and even camera movements are replicated. Here, the viewer must find comfort in the stunning musical numbers (mainly the dance scene and "Be Our Guest") and an impressive production design - Belle's dresses are jaw-dropping. It's not amazing, nor as memorable as the original animation. Still, it should warm the heart of those fans looking for good Disney stories.

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A selfish Prince is cursed to become a monster for the rest of his life, unless he learns to fall in love with a beautiful young woman he keeps prisoner.
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From the same director

The Good Liar
From director Bill Condon ('Chicago', 'Beauty and the Beast'), 'The Good Liar' is a traditional thriller based on the contemporary premise of online dating and frauds. It's not a particularly innovative movie in its genre, but the script is undoubtedly clever, albeit with some inconsistencies. However, it's easy to forgive any mistake for the true titans duel we have on screen: Sir Ian McKellen ('The Lord of the Rings') and Helen Mirren ('The Queen'), two veteran acting legends together for the first time in a feature film.

The Twilight Saga: Breaking Dawn Part 1
The last book of the saga, 'Breaking Dawn', was split into two movies for fans not to say goodbye so quickly from the story. As in the other volumes of the saga, the soundtrack follows as one of the great highlights. In the fourth movie, Brazil is the destination of the protagonists on their honeymoon - yes, Bella finally manages to marry her great love. Their romance will suffer again, but this time with the character's pregnancy. The baby, half human, half vampire, is sucking the life out of the mother, but she does not want to interrupt the gestation in any way. The outcome is quite engaging, leaving a lot of curiosity for the final chapter of 'The Twilight Saga'. Still, it is valid to analyze that this is one of the most conservative films of the franchise - which was the cause of criticism. The main character is submissive to her husband and this ends up being extremely problematic in the unfolding of the story. The same happens in the book written by Stephenie Meyer, it is worth saying.

The Twilight Saga: Breaking Dawn Part 2
The last movie of the story, which began with 'Twilight' in 2008. It is worth mentioning that Stephenie Meyer's narrative has always spoken to young people and explored opposites, when talking about Bella and Edward's forbidden love. Unlike 'The Twilight Saga: Breaking Dawn Part 1', this feature film has much more action and is quite surprising. Of course there are flaws, but it is still satisfying for fans and is the final chapter of a story that has conquered people all over the world - especially here in Brazil. As in the other films of the saga, the technical part continues to be problematic, highlighting the digitally created child (which had a somewhat strange result).
Drama

When You Finish Saving the World
The debut of the star Jesse Eisenberg in directing feature films, also as the screenwriter, "When You Finish Saving the World" brings all the essence of "Lady Bird," Greta Gerwig's Oscar-nominated film: a teenager (Finn Wolfhard) feels lost in life while performing musical acts online about subjects of his age, while his mother (Julianne Moore), the director of a shelter for women victims of abuse, doesn't see him as an engaged person. That's where the worlds of the two collide: the boy starts trying to become more politically aware, not just to impress his mother, but also to catch the attention of a girl (Alisha Boe) at school; meanwhile, Moore's character starts treating one of the boys in the shelter, the son of a victim, as if he were her own child. It's a painful drama that, despite some simplifications and the natural irritation that arises from insufferable characters (what can you expect from Eisenberg, right?), has a soul and a heart to address the complexity of mother-child relationships.

A Million Miles Away
A biopic about Jose Hernandez and his path from a farm worker to becoming an engineer and an astronaut. A tale of perseverance, community and sacrifice to accomplish a seemingly impossible dream.

Strange Way of Life
Short film by the talented Spanish filmmaker Pedro Almodóvar (The Skin I Live In, Parallel Mothers), "Strange Way of Life" is quite different in terms of narrative from what we see in his other English-language short, "The Human Voice," but it shares the same essence: to provoke and question the language of cinema. While the other one is about the confining (and even existential) nature of characters, this one questions the limits of the western genre. How? Following in the footsteps of "Brokeback Mountain," it tells the love story of two men (Ethan Hawke and Pedro Pascal) in an environment that usually portrays toxic masculinity. In half an hour, the Spanish filmmaker builds an engaging narrative, discussing betrayal, fear, and redemption, in a story that keeps us hooked until its conclusion. And a word of caution for those watching it in theaters: it might be a good idea to skip the one-hour interview presented at the end. Apart from being too long, Almodóvar ends up providing information that interferes with the overall experience.
