Happy Together (1997)
Happy Together
”A couple's trip to Argentina leads to their lives drifting apart.”
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Why watch this film?
This is the movie that solidified Hong Kong's Wong Kar-wai as one of the most exciting filmmakers worldwide, after productions such as "Chungking Express"; and it is also considered one of the most influential films in the context of New Queer Cinema (despite being an outside production to the United States and the United Kingdom, considered as the epicenters of the movement). “Happy Together” employs a simple narrative in story, yet very stylized in its execution, with a perfectly everyday and natural portrayal of a homosexual relationship that struggles to survive, without falling into the typical melodramas of movies about the subject. ‘Happy Together’ gave Wong Kar-wai the Best Director Award at the Cannes Film Festival.
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A couple take a trip to Argentina but both men find their lives drifting apart in opposite directions.
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From the same director
In the Mood for Love
It would be technically correct, albeit limiting, to say that 'Fa yeung nin wah' is one of the most beautiful films about love and heartache in cinema history. Released with the arrival of the new century - and millennium - but set in the crucial decade of the 60s for modern Asian history, 'Fa yeung nin wah' is not only a postmodern ode to the desire for intimacy, but also to the inevitable transience of all that exists, whose remains are nothing more than intangible, unattainable, and increasingly blurred memories. Director Wong Kar-Wai manages to capture in the film the one thing that remains in the end: displacement, the feeling of being in a time and place that no longer exists and to which one always yearns to return.
Chungking Express
Depending on who you ask, 'Chung Hing sam lam' can be considered the third or fourth feature film of the great Hong Kong filmmaker, Wong Kar-Wai ('In the Mood for Love'), as it was made during a break in the production of 'Ashes of Time', and was released at the beginning of the same year. What is certain is that the movie marked his first undisputed success in Hong Kong and attracted greater attention from the international audience, with a markedly own visual and narrative style, emphasizing disconnected and fragmented stories about love and sorrow through hypnotic cadence images. In total contrast to his previous productions, 'Chung Hing sam lam' is a film that brings out the best of his vision, filmed by pure creative impulse of an independent spirit in less than a month.
Ashes of Time Redux
Released in 1994 and selected for the Berlin Film Festival that year (where it won the Best Photography award, by Christopher Doyle), 'Dung che sai duk' was only the third feature film directed by Wong Kar-Wai (fourth if taking into account 'Amores Expressos', filmed during a brief hiatus in production and released earlier), commissioned to finance his other projects. Although it is a movie classified as "wuxia" (fiction of martial arts in ancient China), the director has a very unconventional approach, with a fragmented narrative and even difficult to follow at certain points, although this disposition to break with conventions helped to put it in the sights of the Western audience. In the face of criticism, Wong Kar-Wai released a new version in 2008, entitled 'Redux', with a slightly shorter duration. However, as it was not re-released from an original copy of the movie, 'Dung che sai duk Redux' suffers from lower image quality and color treatment, although it still provides beautiful images. It is, without a doubt, one of the most overlooked and least appreciated works of the filmmaker.
Fallen Angels
This is the fifth feature film by Hong Kong filmmaker Wong Kar-wai. 'Fallen Angels' was conceived as the third story to be told in 'Chungking Express', his previous movie about two lovesick cops. When deciding that his film was complete as it was, Wong proceeded to reimagine the third story into a new production, but with a distinct visual proposal that makes them together a diptych: day and night in Hong Kong. In collaboration with his "go-to" cinematographer, Christopher Doyle, the photography of 'Fallen Angels' uses wide-angle lenses to shoot its protagonists close up and distort the world around them, evoking their emotional detachment from reality.
2046
The last part in Wong Kar-wai's unofficial trilogy, alongside 'Days of Being Wild' and 'In the Mood for Love'. If the latter is about the unfulfilled temptation of a love within reach in an era where time seemed immutable, '2046' is about regret, the impossibility of returning and reclaiming what was let go, with the catharsis of artistic creation as the only solace. An ode to heartbreak and loneliness as melancholic as it is visually extravagant.
My Blueberry Nights
"My Blueberry Nights" is a 2006 film directed by Wong Kar-wai. The movie tells the story of Elizabeth (Norah Jones), who embarks on a journey across the United States to escape her troubles. Along the way, she meets a series of colorful characters who help her find herself. The film is visually stunning, with Wong Kar-wai's signature style of dreamy, impressionistic visuals. The performances are excellent, with Norah Jones making an impressive acting debut and Jude Law delivering a standout performance. The soundtrack, featuring original songs by Norah Jones, is also a highlight of the film. While the movie may not be for everyone, those who appreciate Wong Kar-wai's unique vision and style will find much to enjoy in "My Blueberry Nights". Overall, "My Blueberry Nights" is a beautiful, introspective film that will leave a lasting impression on viewers.
The Grandmaster
Selected to open the Berlin Film Festival in 2013 and nominated for two Academy Awards (Cinematography and Costume Design), this movie marks the return of Hong Kong's great filmmaker, Wong Kar-Wai, to martial arts cinema after his first (and until then only) foray into the genre with the film ''Ashes of Time'. Inspired by the life of the legendary martial arts master and mentor of Bruce Lee, 'Yi dai zong shi' is by far the most expensive movie in the director's career, and although it shares its protagonist with the 'Ip Man' movie series, it presents a totally different approach. The action sequences are equally spectacular, but one can perceive the director's trademark, from the involvement of actors like Tony Leung and Zhang Ziyi, to the captivating visual style and fragmented narrative to portray a period of Chinese and Hong Kong history that has been left behind, through the perspective of its protagonists.
Romance
Last Call for Istanbul
Serin, whose luggage was taken by another passenger, crosses paths with Mehmet at New York's JFK International Airport. The two strangers in search of missing luggage embark on an exploration of love, marriage and loyalty in New York.
Love at First Sight
The young Hadley Sullivan, 17 years old, is having the worst day of her life so far: she missed her flight and is stuck at JFK airport, late for her father's second wedding, which is taking place in London and involves a future stepmother Hadley has never even met. However, as is typical in movies like "Love at First Sight," fate plays with her: in the crowded airport waiting area, she meets the perfect boy. He is British Oliver, who is sitting in the same row as her. A long night on the plane passes in the blink of an eye, and Hadley and Oliver lose contact in the eternal airport chaos upon arrival. That's when fate steps in again: will it finally bring them together?
After Everything
The fifth and final installment of the After franchise finds Hardin (Hero Fiennes Tiffin) struggling to move forward. Besieged by writer’s block and the crushing breakup with Tessa (Josephine Langford), Hardin travels to Portugal in search of a woman he wronged in the past – and to find himself. Hoping to win back Tessa, he realizes he needs to change his ways before he can make the ultimate commitment.
What If
When a pair of newlywed musicians get trapped in a storm on their island honeymoon, they must face difficult truths that could tear their marriage apart.
