Trailer
Why watch this film?
After watching Netflix dramas and horror movies like 'Unforgivable' and 'Bird Box', Sandra Bullock is back to romantic comedies - and alongside Channing Tatum, Daniel Radcliffe, Da'Vine Joy Randolph and Brad Pitt. 'The Lost City' brings an 'Indiana Jones'-style adventure rescue to the cinema, something already seen on streaming with 'Red Alert'. The story seems like a modern version of 'Romancing the Stone' from 1984. After all, in the narrative we follow Bullock as a writer who is trying to deal with grief and ends up getting involved in a mission to find a lost city portrayed in one of her books. The movie is very funny, the chemistry between Tatum and Bullock is charming and the plot, which has a frantic pace, can make you forget the real world. A good cast, great jokes and a pinch of romance, sometimes, is all a feature film needs. This is a typical production that shows how blockbusters can still please the audience.
Filmelier
Our suggestions
Plot summary
A reclusive romance novelist on a book tour with her cover model gets swept up in a kidnapping attempt that lands them both in a cutthroat jungle adventure.
To share
Do you want to watch something different?
Watch full movies now!
Press play and be surprised!
Where to watch?
Soon at your home
Adventure
The Book of Clarence
Biblical epics in the style of Ben-Hur are so recognizable in classic cinema that they have been the subject of witty parodies (most notably, the also classic Monty Python's Life of Brian). Here, director Jeymes Samuel (The Harder They Fall) filters the conventions of these films through a black lens, with a cast led by names like Lakeith Stanfield, Alfre Woodard, David Oyelowo, Omar Sy, and Anna Diop, among others. The Book of Clarence follows a man who, aspiring to be someone in life, decides to capitalize on the popularity of Jesus of Nazareth for his own benefit. Through the biblical cliché, the film examines issues such as black identity, the distortion of faith by organized religions, and the very sense of goodness and compassion. It's somewhat uneven but nonetheless entertaining.
Metalocalypse: Army of the Doomstar
After the heroic rescue of Toki Wartooth, DETHKLOK frontman Nathan Explosion finds himself traumatized in a BRUTAL professional and romantic flat-spin all while he is tasked with fulfilling the prophecy and confronting the ultimate songwriting challenge: write the SONG OF SALVATION and save the planet. Can Nathan Explosion look beyond his brutally damaged ego to save his band, stop the Metalocalypse, and finally face the ultimate evil: Salacia?
Richard: The Stork
A charming animation full of adventure and vibrant colors in a story about leadership and maturity. The film tells the story of Richard, a brave sparrow adopted by a family of storks, and his journey to find a lost jewel while leading a group of oppressed birds. The sequel maintains the essence of the original, while exploring themes of friendship and self-knowledge, with valuable lessons reminiscent of Disney classics.
Ghostbusters: Frozen Empire
The third official installment in the Ghostbusters saga, Ghostbusters: Afterlife, was a sequel that worked due to its nostalgic and self-referential spirit: it acknowledged the passage of time and the separation of the original group (in front of and behind the cameras), paying homage and passing the torch to a new generation. The sequel seems to throw all that out the window. Ghostbusters: Frozen Empire continues the story of Phoebe Spengler (Mckenna Grace) and her family as the new Ghostbusters, back in New York to fight the paranormal. However, gradually, subplots involving new characters (Kumail Nanjiani is one of the best) as well as others already introduced in the new generation begin to emerge, but there's also a return of almost all the classic characters. The result is an unnecessarily complicated web of subplots and an overload of characters, which ends up diluting the impact of the film's most fun and emotional ideas. It's not a disaster, but it definitely would have worked better if it had embraced the innovative spirit of its predecessor to let go of the past.
