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From the same director

Midsommar
The second feature film from Ari Aster (director of 'Hereditary') is the kind of movie that can have two radically different effects on the viewer: a total fascination with its ideas or a complete rejection of them. Like the 1970s classics, 'The Wicker Man', 'Midsommar' is inserted into the folk horror subgenre to confront us with a world in which the terrible is not only its visual violence (which is quite considerable), but also the challenges it poses to our concepts of relationship, love, life and death. Visually it is spectacular, and Florence Pugh's ('Lady Macbeth') performance consolidates her as a rising star. Obviously, we do not recommend watching this movie as a couple (unless both have a very morbid sense of humor).

Hereditary
One of the most terrifying and surprising horror films since "Get Out" - though completely different from it. Showcased at Sundance, the feature was highly praised by critics and audiences alike, mainly for its disturbing atmosphere. Special mention to Toni Collette's ("Little Miss Sunshine") performance, which is impeccable.
Mystery

The Pale Blue Eye
Directed by Scott Cooper ("Dark Waters"), "The Pale Blue Eye" is a period thriller with elements of horror, exclusive to Netflix, based on Louis Bayard's homonymous novel. The plot follows a weary detective (Christian Bale) who must investigate a gruesome crime at a military academy: a cadet was found hanged with his heart removed. To solve the mystery, he counts on another recruit, who turns out to be none other than a young Edgar Allan Poe (Harry Melling, known as Dudley in the Harry Potter films). The pace of the film is uneven, partly due to a strict fidelity to the novel. However, the performances are wonderful (with other big names such as Gillian Anderson, Toby Jones and Lucy Boynton), and director Scott Cooper manages to create a sinister and intriguing atmosphere that does not leave us throughout the movie.

7 Women and a Murder
7 women find themselves dealing with a mystery killing. Who's the killer and what are the motives of the murder?

Glass Onion: A Knives Out Mystery
The premiere of 'Knives Out' was one of the biggest surprises of 2019: it was a "whodunit" that, without really re-writing the rules of the genre, delivered an engaging, witty and funny narrative of intrigue and murder. For the sequel, director Rian Johnson follows the path of not fixing what isn't broken, but simply taking what worked in the first installment and making it bigger. 'Glass Onion: A Knives Out Mystery' now takes detective Benoit Blanc to Greece, where he must investigate a new mystery with even more eccentric suspects. If you liked the first one (or just like mysteries in general), you'll love this Netflix exclusive.

See How They Run
"If you've seen one, you've seen them all," says a character at the beginning of this whodunit (a detective story subgenre focused on uncovering the identity of the killer, made popular by Agatha Christie), and the statement largely applies to 'See How They Run', a crime novel that sets out to deconstruct one of the most famous stories of the genre, Agatha Christie's play 'The Mousetrap'. The story revolves around the murder of a filmmaker (Adrien Brody), who had plans to adapt the play into a movie in 1953. As such, the story is predictable, despite poking fun at the predictability of other similar stories. However, it is very enjoyable thanks to its cast, with a standout Sam Rockwell as an apathetic detective, and a hilarious Saoirse Ronan as a gullible and bumbling agent.
