Trailer
Why watch this film?
Director Luis Estrada (Herod's Law, Hell, The Perfect Dictatorship) is already well known for his social and political satires, and ¡Que viva México! joins his filmography in the same vein, telling the story of a middle-class man (Alfonso Herrera), who travels with his wife (Ana de la Reguera) and children to his hometown of La Prosperidad, where his poor family awaits to learn about the inheritance his grandfather left him. The plot here superficially and somewhat problematically addresses class conflicts, prejudices, and resentments without proposing reflections and perpetuating many stereotypes. With an overly long duration, it may be worth more for Luis Estrada's most fervent followers.

Filmelier
Our suggestions
After his grandfather's death, a man travels with his wife and kids to his hometown, where chaos ensues with his relatives over the inheritance.
To share
Do you want to watch something different?
Watch full movies now!
Press play and be surprised!
Where to watch?
From the same director

Hell
In line with his previous feature films, 'La ley de Herodes' and 'Un mundo maravilloso', Mexican writer and director Luis Estrada delivered 'El infierno' - a crime drama with several elements of black humor... very, very black. Winner of the Golden Ariel for Best Picture in 2011 (and nominated for thirteen more awards), this is a movie that provides a look into the reality of Mexican marginality in its most brutal and grotesque aspects, which despite its extreme violence finds the way to balance humor and social satire, thanks in large part to the masterful performances of Damián Alcázar as Benny, and Joaquín Cosío as the already iconic "Cochiloco". An essential filmic satire in contemporary Mexican cinema.

La ley de Herodes
Probably the movie that put Luis Estrada on the map as one of the main exponents of political satire in Mexican cinema, which he would refine later with propositions like El infierno. Released in 1999, at the twilight of the 70-year regime of the Institutional Revolutionary Party (PRI), La ley de Herodes is already a classic that, in its microcosm, exposes how the corrupt - and absurd - system of Mexican politics works under the thumbs, godfathers, and cynicism of the party. The story is set in the remote and poor town of San Pedro de los Saguaros in 1949, when the inhabitants execute their mayor for trying to steal the municipal money. The PRI, facing important elections, decides to put Juan Vargas (Damián Alcázar, in his first fruitful collaboration with Luis Estrada) as a "puppet" mayor to control the situation in the meantime. But Vargas' initial good intentions soon become corrupted by the twisted power dynamics in the town and in the party, naturally resulting in a disaster.
Comedy

Medellin
To save his brother from the hands of narcos in Medellin, Reda gathers a team to raid the kidnappers in Colombia.

Rich in Love 2
When Paula leaves Rio de Janeiro to resume her work as a volunteer doctor in the Amazon, Teto hatches an impulsive plan to follow her and chaos ensues.

The Potemkinists
In 1905, the sailors on the battleship Potemkin are given political asylum in Romania - an act of defiance against Russia. In 2021, a sculptor (Alexandru Dabija) wants to create an artwork inspired by the event. A comedy about art, history, memory and cinema, which film critic Andrei Gorzo describes as "a cross between a Caragiale sketch and a Mark Rappaport video essay"

Hard Feelings
Two best friends try to make it through high school while dealing with embarrassing new urges and their very inconvenient feelings for each other.
