Dumbo (2019)
Dumbo
”A flying elephant saves a circus, but discovers dark secrets beneath the shiny veneer.”
Available at home
Rent or Buy
&plat_logo=https://media.filmelier.com/images/plataformas/icone_mobile/365599cc6c68bb404af36411d40a866c.png&link=https%3A%2F%2Fitunes.apple.com%2Fus%2Fmovie%2Fdumbo%2Fid1456335626%3Fat%3D1000loWU "Apple TV (iTunes)")
Trailer
Why watch this film?
Alongside director Tim Burton (of films such as 'Batman' and 'Edward Scissorhands'), Disney has updated one of its great animated classics, released in 1941: 'Dumbo'. In this live-action version, the elephant with huge ears gets almost real features (and loses his speech), in a production that rescues some elements of the original - and mainly brings others, including a greater prominence of the human characters, highlighted by the presence of Colin Farrel, Michael Keaton, Danny DeVito and Eva Green. Burton also brings the darker aesthetic, characteristic of the filmmaker's works - which ended up not pleasing many fans. In addition, elements were missing that would make the 'Dumbo' remake an unforgettable experience as the original feature film was. Still, it is a movie that emotionally touches and entertains the whole family.
Filmelier
Our suggestions
Plot summary
A young elephant, whose oversized ears enable him to fly, helps save a struggling circus, but when the circus plans a new venture, Dumbo and his friends discover dark secrets beneath its shiny veneer.
To share
Do you want to watch something different?
Watch full movies now!
Press play and be surprised!
Where to watch?
Available at home
From the same director
Beetlejuice
'Beetlejuice', as it is originally called, is a great classic of the 1980s, through which Tim Burton started to imprint his peculiar style and aesthetic, combining the bizarre and the peculiar. Highlight for the maniacal performance of Michael Keaton and for the fact that this is the movie that took Winona Ryder to stardom. An incredible and all-ages mess.
Edward Scissorhands
If there's one Tim Burton character that has become embedded in popular memory, it's Edward Scissorhands. Extremely peculiar, as bizarre as most of the characters created and developed by the filmmaker, Edward is as sensitive as he is strange. A kind of Frankenstein, he was created by a scientist who died before finishing him. This made him distant, alone, lonely -- largely due to his scissor-shaped hands. However, he quickly discovers new abilities that change the course of his life. Magisterial performance by Depp, long-time partner of Tim Burton, who knew how to mix all the strangeness of Edward Scissorhands with the sharp sensitivity of the plot. To be moved.
Batman Returns
"Batman Returns" delves deep into Tim Burton's melancholic vision of the hero's universe, this time introducing two new villains: Michelle Pfeiffer’s Catwoman (who made an impression with her costume and performance) and Danny DeVito’s Penguin - not to mention the important presence of a third antagonist, played by Christopher Walken. Perhaps the film's biggest problem lies right there: the excess of villains who compete for screen time and Burton's repetition of the Penguin formula, transforming him into a man anguished by his parents' issues. Still, it's an extremely competent movie that manages to capture the audience's attention.
Big Fish
One of the strongest, most dramatic and emotional films in Tim Burton's filmography, 'Big Fish' is one of those cinematic gems that become even more delicate and precious over time. Here, we follow the story of a man seeing his father on the brink of death, while he remembers fantastic stories that his father told him throughout his life -- all of them, from the younger's perspective, well-crafted fantasies. Gradually, however, Tim Burton injects an unexpected life into the feature film that, despite taking place with a man between life and death, exudes dreams, passion, love and joy. An inspiring movie, with beautiful and memorable scenes. And a warning: get your handkerchief ready because the ending, full of hope, will make you shed tears.
Ed Wood
If there's one movie that's a true ode to grassroots cinema, made on a shoestring budget, it's 'Ed Wood'. Here, Tim Burton delves into the real-life story of the filmmaker who gives his name to the feature - considered by many to be the worst director of all time, with films like 'Plan 9 from Outer Space' and 'Glen or Glenda?' on his resume. It's a delicate and funny, often emotional film, which pays attention to detail in telling Ed Wood's difficult journey to make his movies happen. Although Johnny Depp (‘Pirates of the Caribbean’) is good as the protagonist, it's Martin Landau (‘Crimes and Misdemeanors’) who steals the show as an aging Bela Lugosi. A must-see for movie fans.
Corpse Bride
One of the most iconic films of Tim Burton's career ('Edward Scissorhands', 'Ed Wood') and directed in partnership with animation specialist Mike Johnson, the feature film 'Corpse Bride' quickly became an icon of the latest pop culture. Just like 'The Nightmare Before Christmas', the movie has a striking stop motion visual and a story as strange as the rest of Burton's filmography: that of a young man who accidentally marries a corpse bride and visits the land of the dead. It is a daring animation, with a good voice work by Johnny Depp ('Pirates of the Caribbean') and Helena Bonham Carter ('Harry Potter and the Prisoner of Azkaban'), which works for adults and children. After all, even though it is cute and childish in several moments, its message transcends generations when talking about the limits of life and death. Indispensable.
Charlie and the Chocolate Factory
The filmmaker Tim Burton worked magic here when adapting the classic story of young Charlie -- already told in the 1971 classic with Gene Wilder -- who dreams of getting the golden ticket to gain access to Willy Wonka's chocolate factory. Johnny Depp is unrecognizable as the eccentric owner of the place, in one of the most iconic roles of his career. Special mention also goes to the small Freddie Highmore (from the series 'The Good Doctor'), the central piece of this family mechanism that Burton builds in this adaptation. It's hard not to be enchanted by the scenery, have fun with Wonka and laugh at the Oompa-Loompas. To watch and be moved, as well as salivate at the flood of chocolate.
Frankenweenie
Tim Burton's second foray into stop motion animation during the 21st century - after 'Corpse Bride' - is actually a remake of his 1984 homonymous short film, in turn a homage and parody of the classic 1931 cinematic adaptation of 'Frankenstein'. 'Frankenweenie' is based on a world inspired by Universal Pictures' classic monster movies, with a typical Burton movie storyline poking fun at suburban minds unable to comprehend what seemed macabre. The English-speaking voice cast includes several of the director's frequent collaborators, including Winona Ryder ('Edward Scissorhands'), Catherine O'Hara ('The Nightmare Before Christmas'), Martin Short ('Mars Attacks') and Martin Landau ('Ed Wood'). Nominated for an Oscar, a Golden Globe, a BAFTA and an Annie Award for Best Animated Feature.
Alice In Wonderland
From Tim Burton's hands, 'Alice In Wonderland' is a visually spectacular return to the world we saw in Disney's classic animated movie, released in 1951. Even though the universe is familiar, the special effects and the director's so particular style result in great scenes. Special mention to Helena Bonham-Carter and Johnny Depp's performances, which bring out the best of the Red Queen and the Mad Hatter.
Sleepy Hollow
One of Tim Burton's darkest and macabre films, which is far from what the filmmaker showed in 'Edward Scissorhands' and 'Ed Wood'. Here, he dives into the traditional legend of the headless horseman that haunted the world at the turn of the 18th century to the 19th century. Although Johnny Depp ('Pirates of the Caribbean') exaggerates his performance at times, the visual of the feature film is breathtaking and it is hard not to be completely immersed in this story that mixes mystery, terror, romance and drama, as only Tim Burton knows how to do well. To watch on any night, eating popcorn and having fun.
Mars Attacks!
The filmmaker Tim Burton didn't just talk about a man with scissors in his hands, demonic barbers and millionaires who become night-time vigilantes. He also talked about aliens in the hilarious 'Mars Attacks!', a movie that looks like the 1990s and takes advantage of aliens invading Earth with an extremely particular sense of humor. The bold visual, the outrageous humor and the typical weirdness of Burton at the time help to set the tone of the feature film. It also stands out for its star-studded cast with Jack Nicholson (impeccable as President Dale, in one of the strangest roles of his career), Glenn Close, Christina Applegate, Jack Black, Danny DeVito, Martin Short and Michael J. Fox. But beware: you must be open to exaggeration, without getting too attached to the narrative. It must be seen as the outrageous comedy it is, with all its absurdities and weirdness.
Batman
One of the first comic book superheroes, Batman was not adapted to the big screen until 1989 in a major project led by director Tim Burton (“Beetlejuice”). The screenplay draws inspiration from Batman’s great comic books, such as “The Killing Joke” and “The Dark Knight”, as well as adding elements in common with other Burton-produced feature films - like the stylized visual and a problematic relationship between parents and children, which fits the character like a glove. The protagonist is played by Michael Keaton, previously known for his comedic roles, but who steals the least from the scene is Jack Nicholson’s Joker, who mixes elements of the villain from the 1970s comics with that characteristic gangster air of several characters interpreted by the actor. Through today’s eyes, some elements may seem dated, but ‘Batman’ is still an entertaining superhero movie.
Adventure
The Book of Clarence
Biblical epics in the style of Ben-Hur are so recognizable in classic cinema that they have been the subject of witty parodies (most notably, the also classic Monty Python's Life of Brian). Here, director Jeymes Samuel (The Harder They Fall) filters the conventions of these films through a black lens, with a cast led by names like Lakeith Stanfield, Alfre Woodard, David Oyelowo, Omar Sy, and Anna Diop, among others. The Book of Clarence follows a man who, aspiring to be someone in life, decides to capitalize on the popularity of Jesus of Nazareth for his own benefit. Through the biblical cliché, the film examines issues such as black identity, the distortion of faith by organized religions, and the very sense of goodness and compassion. It's somewhat uneven but nonetheless entertaining.
Metalocalypse: Army of the Doomstar
After the heroic rescue of Toki Wartooth, DETHKLOK frontman Nathan Explosion finds himself traumatized in a BRUTAL professional and romantic flat-spin all while he is tasked with fulfilling the prophecy and confronting the ultimate songwriting challenge: write the SONG OF SALVATION and save the planet. Can Nathan Explosion look beyond his brutally damaged ego to save his band, stop the Metalocalypse, and finally face the ultimate evil: Salacia?
Richard: The Stork
A charming animation full of adventure and vibrant colors in a story about leadership and maturity. The film tells the story of Richard, a brave sparrow adopted by a family of storks, and his journey to find a lost jewel while leading a group of oppressed birds. The sequel maintains the essence of the original, while exploring themes of friendship and self-knowledge, with valuable lessons reminiscent of Disney classics.
Ghostbusters: Frozen Empire
The third official installment in the Ghostbusters saga, Ghostbusters: Afterlife, was a sequel that worked due to its nostalgic and self-referential spirit: it acknowledged the passage of time and the separation of the original group (in front of and behind the cameras), paying homage and passing the torch to a new generation. The sequel seems to throw all that out the window. Ghostbusters: Frozen Empire continues the story of Phoebe Spengler (Mckenna Grace) and her family as the new Ghostbusters, back in New York to fight the paranormal. However, gradually, subplots involving new characters (Kumail Nanjiani is one of the best) as well as others already introduced in the new generation begin to emerge, but there's also a return of almost all the classic characters. The result is an unnecessarily complicated web of subplots and an overload of characters, which ends up diluting the impact of the film's most fun and emotional ideas. It's not a disaster, but it definitely would have worked better if it had embraced the innovative spirit of its predecessor to let go of the past.
