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Why watch this film?
This is the sequel to 'Stories from the Black Hood', an anthology of horror-comedies with an Afro-American perspective, whose satire is as funny as it is disturbing. This second part is equally incendiary, to the point that it sometimes becomes ridiculous, but if you are looking for a good time with some social and political criticism, 'Stories from the Black Hood 2' is for you.

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Horror is back in the hood! The sequel to the ground-breaking original film Tales From the Hood reunites Executive Producer Spike Lee and Writers/Directors/Producers Rusty Cundieff and Darin Scott for an all-new gripping, horrifying and oftentimes devilishly comical anthology. Keith David stars as a contemporary Mr. Simms to tell bloodcurdling stories about lust, greed, pride and politics through tales with demonic dolls, possessed psychics, vengeful vixens and historical ghosts. Mr. Simms's haunting stories will make you laugh...while you scream.
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From the same director

American Nightmares
Halfway between horror and comedy, 'Mr. Malevolent' is a collection of stories about contemporary issues, such as racial violence, abortion and fake news and lies politics -- with a focus on the American context during the administration of President Donald Trump. It is a production in the style of 'Tales from the Crypt', with a frivolous and ridiculous aesthetic that borders on cheesy, typical of B productions. And thus, the funny side stands out. This is the case with the charismatic Danny Trejo ('Machete'), perfect in one of the "tales". Finally, 'Mr. Malevolent' is the perfect opportunity to see other good actors on stage, such as Vivica A. Fox (from 'Kill Bill: Volume 1'), Nichelle Nichols (Nyota Uhura in the classic television series 'Star Trek') and Saturday Night Live cast member Chris Kattan.

Tales from the Hood 3
The sequel to the horror anthology with two more volumes. Following the same premise as the previous films, get to know new tales of terror, this time with influences from East Asian stories, racism and greed. Produced for TV with a low budget, but delivering a very satisfactory result. The tales are interesting and still bring good social messages.
Horror
Sick of Myself
Increasingly overshadowed by her boyfriend's recent rise to fame as a contemporary artist creating sculptures from stolen furniture, Signe hatches a vicious plan to reclaim her rightfully deserved attention within the milieu of Oslo's cultural elite.

The Curse of Audrey Earnshaw
The Curse of Audrey Earnshaw is a contemporary take on folk horror about a beautiful young woman and her domineering mother, occultists living in secret among a devoutly Protestant village, and who are accused of witchcraft when an unknown plague begins to ravage the inhabitants. Despite some narrative meandering, the performances and genuinely chilling atmosphere make this a modestly budgeted but highly enjoyable horror for genre fans.

The Boogeyman
Directed by Rob Savage (of the excellent Beware Who You Call) The Boogeyman is another movie that uses a monster to talk about a family in mourning. Will Harper (Chris Messina) is father to two girls, the young Sawyer (Vivien Lyra Blair) and the independent Sadie (Sophie Thatcher). And they are not in the best of times: their mother has just died and the family's days have become gloomy. That's where the monster, who is nothing more than a folkloric creature personifying fear, comes in. It's in the darkness, in the closet of the room, in the damp corner of the wall. The first 20 to 25 minutes of The Boogeyman are desperate: Savage shows mastery of the camera and the atmosphere, giving fear at every turn, every light that goes out, every moment that Sawyer decides to take a look under the bed. Then it ends up turning into a kind of generic Babadook, without much life. But even so, it can be a fun horror movie that, when seen with friends, can generate scares and laughter.

The Black Demon
Oilman Paul Sturges idyllic family vacation turns into a nightmare when they encounter a ferocious megalodon shark that will stop at nothing to protect its territory. Stranded and under constant attack, Paul and his family must somehow find a way to get his family back to shore alive before it strikes again in this epic battle between humans and nature.
