Trailer
Why watch this film?
The continuation of 'Toy Story', which revolutionized animation and entertainment, Woody, Buzz, and all the other characters return in an adventure that expands and elevates the original feature. More than that: Pixar, with success, created a story that works for parents and children, addressing even collecting. The third Pixar film, 'Toy Story 2' also showed that the success of the company and the franchise was no accident.

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When Woody is stolen by a toy collector, Buzz and his friends set out on a rescue mission to save Woody before he becomes a museum toy property with his roundup gang Jessie, Prospector, and Bullseye.
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Where to watch?
Available at home
From the same director

Toy Story
Undoubtedly, a landmark in cinema history! 'Toy Story' was Pixar's first movie and is also considered the first full-length movie entirely made in computer graphics. A curious fact is that Brazil released, five months after 'Toy Story', the animation 'Cassiopéia'. Unfortunately, the national production did not have the same success as Pixar's and was forgotten. Back to the world of toys: the movie is elaborate - both by the technique used to animate the images, and by the script. The story captivates children and adults alike, the formula worked so well that it yielded three more movies.

A Bug's Life
If there's an underrated and unjustly ignored movie in Disney-Pixar history, it's the wonderful 'A Bug's Life'. Considered a "rival" to the also interesting 'Antz', released at the same time and also with a story about ants, the fun 'A Bug's Life' hits the mark by showing the routine and life of insects with all the magic of Pixar -- the Ladybug is a man, the caterpillar is a cute bug, grasshoppers are scary, and so on. It's a seemingly simple feature film in its story and structure, showing an ant colony struggling to survive, but finding the most real and natural feelings in those who watch the movie. Here, in Flick's story, you can have fun, get emotional and get excited. To watch and rewatch forever.
Adventure

We Lost Our Human
This is a fun, interactive Netflix special (in the same vein as Black Mirror: Bandersnatch and Unbreakable Kimmy Schmidt: Kimmy vs. the Reverend), with an animation style reminiscent of cartoons like The Amazing World of Gumball or Steven Universe. The premise of We Lost Our Human is eccentric: two spoiled pets are the only ones who can travel to the center of the universe to fix a technical glitch that has made humans disappear. Like other Netflix interactive specials, the viewer only has to choose between different paths at certain times, resulting in different versions of the story.

The Magician's Elephant
Follows Peter, who is searching for his long-lost sister. When he crosses paths with a fortune teller in the market square, he want to know, is his sister still alive? To get the answer, he must find a mysterious elephant and the magician who will conjure it, setting Peter off on a journey to complete three seemingly impossible tasks that will change the face of his town.

The Boy, the Mole, the Fox and the Horse
Based on the homonymous illustrated book by Charlie Mackesy, 'The Boy, the Mole, the Fox and the Horse' is a beautiful animated short film exclusive to Apple TV+. Through art direction that looks like an animated watercolor - imitating the style of the book -, the film tells the simple story of empathy and friendship between the four title characters. Beautiful and totally appropriate for children, although it will certainly warm the heart of even the toughest adult.

Shazam! Fury of the Gods
Sequel to the 2019 film, 'Shazam! Fury of the Gods' starts differently. Billy Batson (Asher Angel) is now a teenager, nearing adulthood, who can transform into a superhero (Levi) when he invokes a sort of mystical power. Now, however, he is not alone: his foster siblings also share the power and begin to defend the city of Philadelphia, in the United States, from villains. This is the case with three Greek gods (Helen Mirren, Rachel Zegler, Lucy Liu) who threaten the superhero family by facing other strong mystical powers. The film doesn't have the brilliance of DC's "independent" productions like 'Batman' and 'Joker', but it's also far from being a disaster like 'Batman v. Superman', 'Justice League', and even 'Wonder Woman 1984'. The film has a certain freshness, similar to that seen in Gunn's 'The Suicide Squad'. Like in the first feature, director David F. Sandberg ('Lights Out') knows that Shazam's story cannot be as grand as Batman's journey on the big screen, for example, or Superman's. He needs to focus on the little, on the closeness of these heroes who are actually teenagers experiencing almost magical powers. That's where the fun and the difference of the film lies, which doesn't take itself too seriously and therefore doesn't make any commitment to the viewer to be grand or opulent. It goes straight to the point, being its main virtue and making the experience the most enjoyable possible in the end.
