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Why watch this film?
Terry Gilliam is one of the most important names in world cinema. One of the founders of the 'Monty Phyton' troupe, he signed productions such as 'Brazil: The Movie' and 'Twelve Monkeys'. 'The Man Who Killed Don Quixote' is one of his most ambitious projects, which was started in 1989 and had recordings started in 2000, but the project was wrecked due to the most diverse problems. Gilliam finally managed to fulfill his dream, now with a cast that includes names such as Adam Driver and Jonathan Pryce. Unfortunately, the feature film did not deliver everything the critics wanted after 30 years of waiting, although it is a good movie and has its successes.

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Toby, a disillusioned film director, becomes pulled into a world of time-jumping fantasy when a Spanish cobbler believes him to be Sancho Panza. He gradually becomes unable to tell dreams from reality.
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Where to watch?
Available at home
From the same director

Monty Python and the Holy Grail
Up until then famous on British TV, the members of Monty Python ventured for the first time with a true feature film for the cinema - the first film, released in 1971, was just a set of sketches from the show 'Monty Python's Flying Circus'. With 'The Holy Grail', the troupe created a work that became a landmark of English humor around the rest of the world. With low budget, the Pythons' creativity stood out, making humor even out of adversities (like forgetting, for example, about the knights riding without horses - there was not enough money to get real animals). This also was the first feature film directed by Terry Gilliam, a member of the group and who would later become one of Hollywood's great filmmakers through films like 'The Adventures of Baron Munchausen' and '12 Monkeys'.

Monty Python's the Meaning of Life
The last movie made by the British troupe for theaters, 'The Meaning of Life' follows a format closer to their classic TV series: 'Monty Python's Flying Circus'. It is a series of more or less connected sketches and musical numbers that follows a man's life from birth to death. With a lot of black humor and offensive jokes, it is the group’s boldest—and paradoxically funniest—film.

12 Monkeys
With a script full of comings and goings, the film bets on time travel and an apocalyptic future to also make a social critique. Highlight for the trio of protagonists - Bruce Willis, Madeleine Stowe and Brad Pitt - who manage to deliver an impeccable performance, which even earned Pitt an Oscar nomination and a Golden Globe. A dense movie to watch with attention, but rewarding for the viewer.
Adventure

We Lost Our Human
This is a fun, interactive Netflix special (in the same vein as Black Mirror: Bandersnatch and Unbreakable Kimmy Schmidt: Kimmy vs. the Reverend), with an animation style reminiscent of cartoons like The Amazing World of Gumball or Steven Universe. The premise of We Lost Our Human is eccentric: two spoiled pets are the only ones who can travel to the center of the universe to fix a technical glitch that has made humans disappear. Like other Netflix interactive specials, the viewer only has to choose between different paths at certain times, resulting in different versions of the story.

The Magician's Elephant
Follows Peter, who is searching for his long-lost sister. When he crosses paths with a fortune teller in the market square, he want to know, is his sister still alive? To get the answer, he must find a mysterious elephant and the magician who will conjure it, setting Peter off on a journey to complete three seemingly impossible tasks that will change the face of his town.

The Boy, the Mole, the Fox and the Horse
Based on the homonymous illustrated book by Charlie Mackesy, 'The Boy, the Mole, the Fox and the Horse' is a beautiful animated short film exclusive to Apple TV+. Through art direction that looks like an animated watercolor - imitating the style of the book -, the film tells the simple story of empathy and friendship between the four title characters. Beautiful and totally appropriate for children, although it will certainly warm the heart of even the toughest adult.

Shazam! Fury of the Gods
Sequel to the 2019 film, 'Shazam! Fury of the Gods' starts differently. Billy Batson (Asher Angel) is now a teenager, nearing adulthood, who can transform into a superhero (Levi) when he invokes a sort of mystical power. Now, however, he is not alone: his foster siblings also share the power and begin to defend the city of Philadelphia, in the United States, from villains. This is the case with three Greek gods (Helen Mirren, Rachel Zegler, Lucy Liu) who threaten the superhero family by facing other strong mystical powers. The film doesn't have the brilliance of DC's "independent" productions like 'Batman' and 'Joker', but it's also far from being a disaster like 'Batman v. Superman', 'Justice League', and even 'Wonder Woman 1984'. The film has a certain freshness, similar to that seen in Gunn's 'The Suicide Squad'. Like in the first feature, director David F. Sandberg ('Lights Out') knows that Shazam's story cannot be as grand as Batman's journey on the big screen, for example, or Superman's. He needs to focus on the little, on the closeness of these heroes who are actually teenagers experiencing almost magical powers. That's where the fun and the difference of the film lies, which doesn't take itself too seriously and therefore doesn't make any commitment to the viewer to be grand or opulent. It goes straight to the point, being its main virtue and making the experience the most enjoyable possible in the end.
