Bridget Jones: Mad About the Boy is the fourth film in a franchise that began in the 2000s with the friendly Bridget Jones's Diary. Since then, the franchise has gained two other features that never reached the good level of the story of a British woman in her early thirties who tries to find the love of her life while writing a diary. This is so far: the fourth chapter of the saga is the one that comes closest to the quality of the first film, mainly because it takes more risks and brings complex themes to the fore, such as grief, solo motherhood and a middle-aged woman trying to find her space. The protagonist, Renée Zellweger, remains difficult to swallow -- the faces and mouths only worked in the first film, and look. But you can have fun and revisit the story of this character who is already part of the imagination of romantic comedies.
A group of survivors of the rage virus lives on a small island. When one of the group leaves the island on a mission into the mainland, he discovers secrets, wonders, and horrors that have mutated not only the infected but other survivors.
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Taking place during the events of John Wick: Chapter 3 - Parabellum, Eve Macarro begins her training in the assassin traditions of the Ruska Roma.
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Mickey 17 is an “expendable”, a disposable employee, on a human expedition sent to colonize the ice world Niflheim. After one iteration dies, a new body is regenerated with most of its memories intact.
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On the rugged isle of Berk, where Vikings and dragons have been bitter enemies for generations, Hiccup stands apart, defying centuries of tradition when he befriends Toothless, a feared Night Fury dragon. Their unlikely bond reveals the true nature of dragons, challenging the very foundations of Viking society.