A man's audiovisual diary links his private life with world events through films.
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During years of solitude in an Alsatian village following the end of a relationship, Frank Beauvais found solace in the screen by watching films obsessively. He then crafted an audiovisual diary by editing shots of the films he was devouring, in which he links his private life with world events.
"Without a doubt, the strangest "documentary" production of recent years, 'Ne croyez surtout pas que je hurle' is, by nature, as derivative as it is original. After all, it is a personal diary constructed with fragments of other films, the same ones that director Frank Bauvais devoured in solitude and isolation after ending a romantic relationship and moving to a distant city. It may look random visually, but pay attention to the director's narration and you will find a coherent story about loneliness, memory, and cinema as refuge."