John Kitzmiller | Filmelier

Famous movies

Dr. No

7.2/10

1h49min

At Sword's Edge

5.1/10

1h36min

Due selvaggi a corte

--/10

1h29min

Pirates of the Coast

5.3/10

1h40min

Who is John Kitzmiller?

John Kitzmiller was an actor known for Dr. No (1962), Senza pietà (1948) and Dolina miru (1956).

1 win at Cannes Film Festival

See more awards and nominations

Connections

Arturo Bragaglia

Carla Calò

Enrico Glori

Giulio Calì

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News about John Kitzmiller

Movie

The Best Movies Coming to Netflix in January 2026 (With Above 90% Rotten Tomatoes Score)

This January, Netflix is bringing you a lot of entertainment, from the highly anticipated next season of Bridgerton to the streaming premiere of Ben Affleck and Matt Damon‘s new thriller film. However, for the purposes of this article, we are only including the films that are coming to Netflix next month and have a 90% or higher Rotten Tomatoes score. So, check out the ten best films that are coming to Netflix in January 2026 with a 90% or higher Rotten Tomatoes score. 12 Years a Slave (January 1) Rt Score: 95% Credit – Fox Searchlight Pictures 12 Years a Slave is a biographical historical drama film directed by Steve McQueen from a screenplay by John Ridley.

Cinema Blind

Movie

SEEfest Launches Streaming Service In Partnership With Darkroom Platform

The South East European Film Festival is partnering with Darkroom on a new streaming service option that will bring some of the best in Eastern and Southeastern European cinema to anyone in the U.S. and Canada. Under the SEEfest Spotlight banner, select titles from the festival will be available on Darkroom as part of premium content on the streaming platform, currently priced at $1.99 a month. Films include: The Constitution (Croatia), “both funny and deeply touching story of a gay professor confronting homophobia as well as his own biases.” Zana from L.A.-based Kosovo filmmaker Antoneta Kastrati about the lingering post-conflict tragedies. Serbian medical detective story Guardians of the Formula about the first bone marrow transplant during the Cold War years. Libertate (Romania), “a long-overdue account of an attack on a police station in Sibiu during the 1989 revolution, a turmoil that spirals into armed clashes between all sides.” Valley of Peace,

Deadline Film + TV

Movie

Dr. No (1962) Review: A Great Spy Thriller with a Tough and Stylish hero

Dr. No was the first chance for fans of Ian Fleming’s Bond novels to see the legendary spy brought to life on the big screen. Little did people know that it would transcend itself into one of the longest-running spy franchises that is still going strong today. During the making of Dr. No, the stakes were quite high. Ian Fleming was initially upset with the selection of a Scottish working-class Bond, Sean Connery, as he had envisioned someone more polished like David Niven. But the producers, Harry Saltzman and Albert R. Broccoli, had a different vision, and their gamble paid off spectacularly. The decision to start the series with the sixth Bond novel was a deliberate one, as Dr. No was grittier and darker in tone compared to the earlier books. Now, we all know how this film not only shaped the career of Sean Connery but also provided

High on Films

Movie

James Bond's Dr. No As A Pixar Movie Art Is The Incredibles Sequel We'll Never Get

James Bond's iconic film Dr. No has been reimagined as a Pixar-style animated movie, showcasing the classic spy in a new light. The animated images depict Bond in 3D animation, along with other characters from Dr. No. The idea of creating a Young Bond animated TV series is raised, which could capitalize on the brand's recognition and keep production costs low. James Bond’s first big-screen adventure Dr. No has been reimagined in a series of images depicting the classic spy movie as a Pixar film on par with The Incredibles. Based on the novel of the same name by Ian Fleming, 1962’s Dr. No introduced the legendary British spy who became an intergenerational phenomenon and one of the most widely recognized characters in modern cinema. Marking Sean Connery’s initial outing as 007, Dr. No sparked the creation of a long-lived action franchise that would spawn 24 official sequels and a slew of imitators.

ScreenRant

Movie

Immoral Dignity: The Cinema of Alberto Lattuada

Il bandito (1946) When his peers were busy whitewashing their nation’s crimes in the preposterous pietism of Neorealism, he made films that exposed the transactional individualism that ruled post-war Italy. When orthodox Marxists deemed commercial cinema the ultimate evil, he infused it with possibilities that exceeded box office returns. While everyone shot in Rome, he set many of his films in the anonymous provinces of northern Italy. Too popular to be considered an auteur yet too intellectual to be easily brushed aside, these may well be some of the reasons why Alberto Lattuada has occupied such an ambivalent place in the history of Italian cinema, one that has resisted canonization and has been largely confined to the country’s borders. An almost complete retrospective of his films, organized by Roberto Turigliatto during the last edition of the Locarno Film Festival, has given us the chance to (re-)discover a director who has worked across genres,

MUBI

Movie

Why 2016 Is a Great Moment For Black Film History

As #OscarsSoWhite fades into last Oscar season’s news, change is in the air: There’s a bevy of black films coming in the second half of this year, movies that tell the stories of African chess champions and American slave rebellions. The narratives speak to a black identity that’s multinational instead of monolithic: Nate Parker’s Sundance-winning “The Birth of a Nation,” the interracial romance “Loving,” and Denzel Washington’s fifties-era race relations drama “Fences” are all going to be a part of the conversation this fall. But there are also a host of older films finally hitting coming out that should expand that picture. So often black movies are historical, telling the stories of larger-than-life icons we ought to have grown up hearing about. At best they’re biopics that give behemoths like Martin Luther King Jr. or Ray Charles a granular humanity; at worst they’re

Indiewire

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