Fallen Angels (1995)
Fallen Angels
”A hitman and his female partner navigate a dangerous world in Hong Kong.”
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Why watch this film?
This is the fifth feature film by Hong Kong filmmaker Wong Kar-wai. 'Fallen Angels' was conceived as the third story to be told in 'Chungking Express', his previous movie about two lovesick cops. When deciding that his film was complete as it was, Wong proceeded to reimagine the third story into a new production, but with a distinct visual proposal that makes them together a diptych: day and night in Hong Kong. In collaboration with his "go-to" cinematographer, Christopher Doyle, the photography of 'Fallen Angels' uses wide-angle lenses to shoot its protagonists close up and distort the world around them, evoking their emotional detachment from reality.
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Plot summary
This Hong Kong-set crime drama follows the lives of a hitman, hoping to get out of the business, and his elusive female partner.
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From the same director
In the Mood for Love
It would be technically correct, albeit limiting, to say that 'Fa yeung nin wah' is one of the most beautiful films about love and heartache in cinema history. Released with the arrival of the new century - and millennium - but set in the crucial decade of the 60s for modern Asian history, 'Fa yeung nin wah' is not only a postmodern ode to the desire for intimacy, but also to the inevitable transience of all that exists, whose remains are nothing more than intangible, unattainable, and increasingly blurred memories. Director Wong Kar-Wai manages to capture in the film the one thing that remains in the end: displacement, the feeling of being in a time and place that no longer exists and to which one always yearns to return.
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Depending on who you ask, 'Chung Hing sam lam' can be considered the third or fourth feature film of the great Hong Kong filmmaker, Wong Kar-Wai ('In the Mood for Love'), as it was made during a break in the production of 'Ashes of Time', and was released at the beginning of the same year. What is certain is that the movie marked his first undisputed success in Hong Kong and attracted greater attention from the international audience, with a markedly own visual and narrative style, emphasizing disconnected and fragmented stories about love and sorrow through hypnotic cadence images. In total contrast to his previous productions, 'Chung Hing sam lam' is a film that brings out the best of his vision, filmed by pure creative impulse of an independent spirit in less than a month.
Ashes of Time Redux
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This is the movie that solidified Hong Kong's Wong Kar-wai as one of the most exciting filmmakers worldwide, after productions such as "Chungking Express"; and it is also considered one of the most influential films in the context of New Queer Cinema (despite being an outside production to the United States and the United Kingdom, considered as the epicenters of the movement). “Happy Together” employs a simple narrative in story, yet very stylized in its execution, with a perfectly everyday and natural portrayal of a homosexual relationship that struggles to survive, without falling into the typical melodramas of movies about the subject. ‘Happy Together’ gave Wong Kar-wai the Best Director Award at the Cannes Film Festival.
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Drama
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