Trailer
Why watch this film?
Little by little, more genre films are being made in Latin American cinematographies, like this fantasy drama with western touches from Argentina, with Matías Lucchesi ("Natural Sciences") in the direction, Mariano Llinás ("Extraordinary Stories") in the screenplay, and two great actresses in the starring roles: Mercedes Morán ("The Marsh") and Natalia Oreiro ("The German Doctor"). "Las Rojas" is the story of a prestigious paleontologist (Morán) who jealously defends a secret: she has found the fossilized remains of a hippogriff, the mythical animal. The foundation that finances her decides to send another paleontologist (Oreiro) to investigate, and she questions her work. But the two women must join forces when a rival appears who seeks to acquire the discovery. There are some rhythm, editing, and dialogue problems, but their two lead actresses elevate the film, a praiseworthy proposal for Latin American cinema with fantastic elements.

Filmelier
Our suggestions
Two women defy the impositions of a materialistic world. Two paleontologists on the warpath will join forces.
To share
Do you want to watch something different?
Watch full movies now!
Press play and be surprised!
Where to watch?
Drama
Leave the World Behind
A family's vacation in a luxurious home takes a turn for the worse when a cyberattack affects all their devices and two strange people knock on the door.

Totem
When it comes to personal pain, Mexican cinema tends to lean too much towards exaggerated melodrama, or towards the most mediocre miserabilism. With Totem, Mexican filmmaker Lila Avilés (awarded at the Morelia Film Festival for both this film and The Chambermaid) reminds us that there is another path: one of understanding, acceptance, and feeling. This is precisely what she invites us to do through the story of Sol (Naíma Sentíes), a little girl who gathers with her family to celebrate her father's birthday (Mateo García), who is too ill to attend the party. With great scriptwriting and a camera that is both furtive and complicit, Avilés' gaze infiltrates the bittersweet intimacy of a family united by imminent pain, gradually revealing, with compassion, the ways in which each person faces it.

Toll
Suellen, a toll booth attendant, uses her job to help a gang of thieves steal watches so that she can afford to send her son to a gay conversion workshop.

Hard Days
Between Christmas and New Year's Eve, on December 29th, detective Yuji Kudo drives his car to visit his mother, who is hospitalized with a serious health problem. On the way, he receives a call from the commissioner inquiring about his involvement in the creation of a secret fund, just as he learns that his mother has passed away. Yuji then accidentally hits a man with his car, who dies instantly. It's at this point that the protagonist, in the hospital, tries to cover up the death of the man he ran over by placing his corpse in his mother's coffin. Hard Days, an unlikely Japanese dramatic thriller, depicts the consequences of Yuji's decision, as he grapples with a series of mistakes stemming from his bizarre choices while under investigation. With a strange and tense, yet emotional atmosphere, the feature showcases the skill of filmmaker Michihito Fujii, who knows how to blend genres in a film full of improbabilities but true.
