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Why watch this film?
Under the lead performance of Pierre Niney, we witness a thriller of conspiracy as tense as it is unsettling, that manages to keep the viewer's intrigue through an oppressive atmosphere, accompanied by cold colors and dense and powerful sounds. With 5 nominations for the César Awards, Black Box tells the story of a young and talented black box analyst who has the mission to solve the mystery around the deadly accident of a new plane.

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What happened on board the Dubai-Paris flight before it crashed in the Alps? Mathieu Vasseur, an expert in black box analysis, is in charge of investigating the causes of this unprecedented air disaster. However, his investigation will take him to the limit to discover the truth.
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From the same director

Burn Out
Yann Gozlan (‘The Hostage’ and ‘An Ideal Man’) continues his journey within genre cinema, now with an action thriller. The film is an adaptation of the novel ‘Balancé dans les cordes’ by Jerémie Guez, but it is Yann’s seal that brings a fascinating audiovisual style. François Civil (‘Frank’), who takes on the leading role with a striking presence, Manon Azem and Olivier Rabourdin (‘Taken’) stand out in the cast.
Drama

Totem
When it comes to personal pain, Mexican cinema tends to lean too much towards exaggerated melodrama, or towards the most mediocre miserabilism. With Totem, Mexican filmmaker Lila Avilés (awarded at the Morelia Film Festival for both this film and The Chambermaid) reminds us that there is another path: one of understanding, acceptance, and feeling. This is precisely what she invites us to do through the story of Sol (Naíma Sentíes), a little girl who gathers with her family to celebrate her father's birthday (Mateo García), who is too ill to attend the party. With great scriptwriting and a camera that is both furtive and complicit, Avilés' gaze infiltrates the bittersweet intimacy of a family united by imminent pain, gradually revealing, with compassion, the ways in which each person faces it.

Toll
Suellen, a toll booth attendant, uses her job to help a gang of thieves steal watches so that she can afford to send her son to a gay conversion workshop.

Hard Days
Between Christmas and New Year's Eve, on December 29th, detective Yuji Kudo drives his car to visit his mother, who is hospitalized with a serious health problem. On the way, he receives a call from the commissioner inquiring about his involvement in the creation of a secret fund, just as he learns that his mother has passed away. Yuji then accidentally hits a man with his car, who dies instantly. It's at this point that the protagonist, in the hospital, tries to cover up the death of the man he ran over by placing his corpse in his mother's coffin. Hard Days, an unlikely Japanese dramatic thriller, depicts the consequences of Yuji's decision, as he grapples with a series of mistakes stemming from his bizarre choices while under investigation. With a strange and tense, yet emotional atmosphere, the feature showcases the skill of filmmaker Michihito Fujii, who knows how to blend genres in a film full of improbabilities but true.

Monster
With films like Shoplifters and Broker (among many others), Japanese filmmaker Hirokazu Kore-eda is a master at telling stories of complex morality, where the truth is never simple, and answers navigate through all shades of gray. Monster is another great demonstration of this (the film won Best Screenplay at the Cannes Film Festival 2023). Its plot begins with a mother concerned about her son's strange recent behavior, and after investigating, she begins to fear that he is being abused by a school teacher. However, as the plot unfolds, we witness all the elements that complicate and entangle the truth hidden behind. Monster is the kind of film that deeply moves and invites reflection on the ways we relate to—and judge—those around us.
