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Why watch this film?
"Saint Omer" is a thought-provoking film directed by Alice Diop that follows Rama, a novelist attending the trial of Laurence Coly at the Saint-Omer Criminal Court. Rama intends to use the story of Coly to write a modern-day adaptation of the ancient myth of Medea, but things don't go as expected. The storyline is gripping and keeps the audience engaged throughout the film. The film's cinematography is impressive, with the camera work capturing the essence of the story and the characters' emotions. The acting performances are also noteworthy, with the cast delivering powerful and convincing performances. Diop's direction is commendable, highlighting the complexities of the justice system and the struggles of the characters. The film's themes of betrayal, revenge, and justice are explored in a nuanced and thought-provoking manner. Overall, "Saint Omer" is a well-crafted film that offers a unique perspective on the justice system and the human condition. It is a must-watch for anyone interested in thought-provoking cinema.
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Follows Rama, a novelist who attends the trial of Laurence Coly at the Saint-Omer Criminal Court to use her story to write a modern-day adaptation of the ancient myth of Medea, but things don’t go as expected.
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From the same director
We
How many people do we cross paths with every day? We ride the subway, take the bus, walk down the street, share seats in a park and, if we stopped to think about it, we would realize that we share moments of our lives with hundreds of people without questioning all that we have in common. 'Nous' (French for “we”) is an elegant and sophisticated documentary that looks at the things that unite people who seem to have nothing to do with each other: an immigrant mechanic, a caretaker, a writer, and the film's director, Alice Diop. From the most intimate yet shared details of so many people, the film becomes a very detailed, emotional and epic exploration of the French multicultural project, where a rich diversity persists despite marginalization.
Drama
When You Finish Saving the World
The debut of the star Jesse Eisenberg in directing feature films, also as the screenwriter, "When You Finish Saving the World" brings all the essence of "Lady Bird," Greta Gerwig's Oscar-nominated film: a teenager (Finn Wolfhard) feels lost in life while performing musical acts online about subjects of his age, while his mother (Julianne Moore), the director of a shelter for women victims of abuse, doesn't see him as an engaged person. That's where the worlds of the two collide: the boy starts trying to become more politically aware, not just to impress his mother, but also to catch the attention of a girl (Alisha Boe) at school; meanwhile, Moore's character starts treating one of the boys in the shelter, the son of a victim, as if he were her own child. It's a painful drama that, despite some simplifications and the natural irritation that arises from insufferable characters (what can you expect from Eisenberg, right?), has a soul and a heart to address the complexity of mother-child relationships.
A Million Miles Away
A biopic about Jose Hernandez and his path from a farm worker to becoming an engineer and an astronaut. A tale of perseverance, community and sacrifice to accomplish a seemingly impossible dream.
Strange Way of Life
Short film by the talented Spanish filmmaker Pedro Almodóvar (The Skin I Live In, Parallel Mothers), "Strange Way of Life" is quite different in terms of narrative from what we see in his other English-language short, "The Human Voice," but it shares the same essence: to provoke and question the language of cinema. While the other one is about the confining (and even existential) nature of characters, this one questions the limits of the western genre. How? Following in the footsteps of "Brokeback Mountain," it tells the love story of two men (Ethan Hawke and Pedro Pascal) in an environment that usually portrays toxic masculinity. In half an hour, the Spanish filmmaker builds an engaging narrative, discussing betrayal, fear, and redemption, in a story that keeps us hooked until its conclusion. And a word of caution for those watching it in theaters: it might be a good idea to skip the one-hour interview presented at the end. Apart from being too long, Almodóvar ends up providing information that interferes with the overall experience.
