An artist and her elderly mother confront long-buried secrets when they return to a former family home, now a hotel haunted by its mysterious past.
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The Souvenir
One of the most acclaimed films presented during the 2019 Sundance Film Festival (where it won the Jury Prize), 'The Souvenir' is a semi-autobiographical drama from subgenre "coming of age", with an incisive, mature and female vision of a destructive romantic relationship. A bittersweet tale of love confused with narcissism, opportunism and anxiety, with great performances by Tom Burke ('Only God Forgives') and the great Tilda Swinton ('We Need to Talk About Kevin').
The Souvenir: Part II
Director Joanna Hogg continues the story started with 'The Souvenir', about the tumultuous romance that ended in tragedy between a young film student, Julie (Honor Swinton Byrne), and an older man, Anthony (Tom Burke). In 'The Souvenir: Part II', we pick up exactly where Julie's life left off: after Anthony's death, she returns to London to make her graduation film, determined to make it a method of exorcising her pain. Set in 1985, the feature takes place in an era of profound political and social changes for England. At the same time, it is deeply metatextual: it's a story about an artist learning to find her voice amidst influences and impositions, while making art out of her life experiences (and it should be remembered that both parts of 'The Souvenir' are inspired by Hogg's own experiences). Its slow pace of long, calculated shots may not be for everyone, but this is a film of undeniable beauty for those who appreciate it on its own terms.
Drama
Society of the Snow
On October 13, 1972, Uruguayan Air Force Flight 571, chartered to take a rugby team to Chile, crashes into a glacier in the heart of the Andes.
The Book of Wonders
A beautiful French production that deals with a profound theme in an accessible and sincere manner. The Book of Wonders tells the story of a woman (Alexandra Lamy) whose 12-year-old son falls into a coma. The mother embarks on a journey to fulfill adventures on the wish list as a way to cope with the loss and also to show the beauty of the world. Like any movie of this kind, it has its clichés, but if you're looking for something to warm your heart, this is an excellent choice.
Maestro
When you sit down to watch Maestro, it's natural to expect a biographical film about Leonard Bernstein, the talented and complex conductor portrayed by Bradley Cooper – who also directs. However, what unfolds in the plot is not something like a typical biopic, but rather a nuanced film about the love between Bernstein and Felicia Montealegre (Carey Mulligan). Slow and contemplative, the feature avoids the pitfalls of turning this story into a melodrama in the style of Marriage Story, subtly presenting the emotions. On the contrary, Cooper leaves much implied so that we, the audience, can feel what is happening and not just observe. Therefore, it's a film that demands a lot from the audience, requiring them to engage with the concept and not find it merely monotonous.
NAGA
Stranded amid Riyadh's desert dunes, Sarah, a local Saudi girl, escapes heartaches and the vengeance of a vigorous camel after discreetly sneaking out of her parent's home for a romantic date that landed her astray.
