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Why watch this film?
'The Wonder' is directed by Sebastián Lelio ('A Fantastic Woman'), based on the book by Emma Donoghue, and selected in festivals such as Toronto, London, and Telluride. The story, set in 1862, follows a nurse (Florence Pugh, 'Midsommar') who travels to a remote town in Ireland to help an 11-year-old girl (Kíla Lord Cassidy), who claims to have not eaten for four months and has survived only on "manna from heaven". It's a film that tackles the boundaries of faith, religious fanaticism, and abuse and will certainly be remembered for its performances (Pugh dominates every second on screen) and for an excellent production design that takes us back to the 19th century, although its themes remain relevant to the present. Read our full review here.

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Our suggestions
'The Wonder' is the tale of a young Irish girl, Anna O'Donnell, whose Catholic family claim she has eaten nothing since her eleventh birthday... four months ago.
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From the same director

Disobedience
One of the most surprising movies of 2018, 'Desobediência' explores the weight of customs and religion in an impossible love, which defies all written and unwritten rules of a Jewish community in England. In the story, Rachel Weisz (Oscar winner for 'The Constant Gardener') and Rachel McAdams (Academy Award nominee for 'Spotlight') reunite and reignite a passionate and disobedient spiral, with the religious side represented by Alessandro Nivola ('Selma' and 'American Hustle'). The result is a provocative film, driven by the passionate performances of its trio of protagonists and by the excellent direction of Sebastián Lelio, who won the Oscar for Best Foreign Language Film for 'A Fantastic Woman'.

Gloria Bell
Chilean filmmaker Sebastián Lelio is in charge of the remake of his wonderful 2013 film, 'Gloria' (ensuring the correct reproduction of its artistic legacy, as Michael Haneke did with 'Funny Games'). Now, with Julianne Moore at the helm of 'Gloria Bell', the filmmaker supports the entire film on the shoulders of the Oscar-winning actress, who puts her great talent to good use. The film works both as an ode to female empowerment, sensuality, sexuality and the possibility of love in middle age and as a celebration of Moore's career, which is at the top.

A Fantastic Woman
Powerful movie that won the Best Foreign Film Oscar -- an unprecedented feat for Chile, the country of origin of the production, and for feature films starring transgender people. And it's no wonder. Daniela Vega's performance is intense, sad and full of layers. In addition, Sebastián Lelio's (from the American 'Disobedience') firm direction helps to intensify the story of Marina (Vega), a woman who goes through suspicions, discrimination and more injustices after her partner, an older man, dies suddenly. Although very sad and intense, it is a necessary film to understand and reflect on what much of the trans community still goes through today.
Drama
Society of the Snow
On October 13, 1972, Uruguayan Air Force Flight 571, chartered to take a rugby team to Chile, crashes into a glacier in the heart of the Andes.

The Book of Wonders
A beautiful French production that deals with a profound theme in an accessible and sincere manner. The Book of Wonders tells the story of a woman (Alexandra Lamy) whose 12-year-old son falls into a coma. The mother embarks on a journey to fulfill adventures on the wish list as a way to cope with the loss and also to show the beauty of the world. Like any movie of this kind, it has its clichés, but if you're looking for something to warm your heart, this is an excellent choice.

Maestro
When you sit down to watch Maestro, it's natural to expect a biographical film about Leonard Bernstein, the talented and complex conductor portrayed by Bradley Cooper – who also directs. However, what unfolds in the plot is not something like a typical biopic, but rather a nuanced film about the love between Bernstein and Felicia Montealegre (Carey Mulligan). Slow and contemplative, the feature avoids the pitfalls of turning this story into a melodrama in the style of Marriage Story, subtly presenting the emotions. On the contrary, Cooper leaves much implied so that we, the audience, can feel what is happening and not just observe. Therefore, it's a film that demands a lot from the audience, requiring them to engage with the concept and not find it merely monotonous.

NAGA
Stranded amid Riyadh's desert dunes, Sarah, a local Saudi girl, escapes heartaches and the vengeance of a vigorous camel after discreetly sneaking out of her parent's home for a romantic date that landed her astray.
