Woman of the Port (2023)
Woman of the Port
”A teenager prostituted by her mother falls in love with a sailor who turns out to be her brother.”
Trailer
Why watch this film?
Presented in the Un Certain Regard section of the Cannes Film Festival in 1991, Woman of the Port is a film by director Arturo Ripstein (The Place Without Limits) that remained unreleased for more than three decades, with only limited screenings in Mexico and abroad. Based on Guy de Maupassant's story "Le Port," the movie tells the story of a young woman who is prostituted by her mother and ends up forming a forbidden relationship with a client who, unbeknownst to her, is her brother. A drama of the typical sordidness of its director, which finally reaches Mexican audiences in restored version.
Filmelier
Our suggestions
Plot summary
Perla is a teenager who has been prostituted by her mother, Tomasa and acts as a dancer in a cabaret-brothel. The pianist who plays at the venue is a romantic singer-songwriter and inveterate poet who would like to make art out of a sordid situation. When "el Marro", a sick sailor stops at the place and falls in love with the girl, the mother tries to cut off that relationship, but fails to do so. Because she knows that they are actually siblings.
To share
Do you want to watch something different?
Watch full movies now!
Press play and be surprised!
Where to watch?
Drama
Raspberries with Mustard
Meeri Ehrlich, 13 years old has three problems. First: She is in love - with the wrong person - and has butterflies in her tummy. Second: Her mother passed away and she misses her a lot. Third: her father - owner of a funeral home - is looking for a new partner. But Meeri has something that is only hers, something very special - she can fly.
Underdog
In its effort to raise awareness about the precarious social reality of certain sectors of the population, Mexican cinema tends to fall into miserabilism (or so-called "poverty porn"), whether in documentaries or fiction. The quest of Mexican cinema for new creative and narrative horizons is ongoing, and in the case of Underdog (Correr para vivir), director and co-writer Gerardo Dorantes opts for what, in its conventions, is an action and crime thriller extrapolated to the context of the Rarámuri (or Tarahumara) indigenous people of northern Mexico, famous for their running tradition (and their extraordinary talent for it). The plot follows two brothers: Omero (Vladimir Rivera), who dreams of being a runner; and Capó (Manuel Cruz Vivas), who is more talented but also troubled. Both are dragged into a life of service to the drug trade when Capó, in an attempt to provide for his pregnant girlfriend, fails in a cocaine delivery. To be honest, it's a good attempt to steer Mexican cinema towards other directions that are not the typical exploitation of social dramas or anthropological documentaries. However, the film ends up falling into the same vices, representing Rarámuri culture from a superficial and idealized exoticism, creating entertainment from a real social context with little sensitivity.
Downtown Owl
'Downtown Owl' - Searching for a break from her cosmopolitan life in Milwaukee, Julia Rabia (Lily Rabe), arrives in the closeknit Reagan-era town of Owl, North Dakota for a one-semester high school teaching job. But when the small town turns out to be a wonderland of second-string poets, smoldering Marlboro Men, and a social hierarchy that echoes high school, Julia doesn't know if she's come to town to get away from home or to find it. Ed Harris, Vanessa Hudgens, Henry Golding, and Finn Wittrock also star in this Great Plains dark dramedy directed by Lily Rabe and Hamish Linklater. Based on the novel by Chuck Klosterman.
Baby
After his release from a juvenile center, Wellington finds himself homeless in São Paulo. At a porn theater, he meets Ronaldo, who mentors him in street survival. Their bond evolves into a turbulent affair.
