Toll (2023)
Toll
”A toll booth attendant aids thieves in stealing watches to pay for her son's gay conversion workshop.”
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Plot summary
Suellen, a toll booth attendant, uses her job to help a gang of thieves steal watches so that she can afford to send her son to a gay conversion workshop.
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Charcoal
During the COVID-19 pandemic, Brazil has seen the worst of humanity. Among other things, the Parliamentary Inquiry Commission (CPI) of the pandemic discovered that Prevent Senior simply did not care enough for the lives of the elderly, resulting in a high death rate. How far have we gone? This is what the strong film "Carvão" reflects on. Directed by then-short filmmaker Carolina Markowicz, the feature film has a provocative story: it talks about a family (Maeve Jinkings, Rômulo Braga and Jean de Almeida Costa) who make an unexpected decision in order to be able to host a foreign guest in their home for some time. Confused? It is a bit when we tell it without giving too many details, but it is necessary for the film to show all the possible impact with the strength of its story. The fact is that Markowicz translates this feeling of discard that fell upon society during the pandemic. What is the value of a life? What are the limits? Thinking about all this, the film plays with the bizarre and the tragedy to provoke. It brings dense themes in a controlled atmosphere, with few characters, so that we can understand the moral effects.
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In its effort to raise awareness about the precarious social reality of certain sectors of the population, Mexican cinema tends to fall into miserabilism (or so-called "poverty porn"), whether in documentaries or fiction. The quest of Mexican cinema for new creative and narrative horizons is ongoing, and in the case of Underdog (Correr para vivir), director and co-writer Gerardo Dorantes opts for what, in its conventions, is an action and crime thriller extrapolated to the context of the Rarámuri (or Tarahumara) indigenous people of northern Mexico, famous for their running tradition (and their extraordinary talent for it). The plot follows two brothers: Omero (Vladimir Rivera), who dreams of being a runner; and Capó (Manuel Cruz Vivas), who is more talented but also troubled. Both are dragged into a life of service to the drug trade when Capó, in an attempt to provide for his pregnant girlfriend, fails in a cocaine delivery. To be honest, it's a good attempt to steer Mexican cinema towards other directions that are not the typical exploitation of social dramas or anthropological documentaries. However, the film ends up falling into the same vices, representing Rarámuri culture from a superficial and idealized exoticism, creating entertainment from a real social context with little sensitivity.
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After his release from a juvenile center, Wellington finds himself homeless in São Paulo. At a porn theater, he meets Ronaldo, who mentors him in street survival. Their bond evolves into a turbulent affair.
