Trailer
Why watch this film?
Extremely relevant to any Brazilian, the backdrop of the movie is the country's history - involving the legacy of dictatorship still present in Brazil. 'Ação entre Amigos' has a non-linear timeline, with scenes from the past at various moments, to show the psychological traumas of the characters. It is very interesting this characteristic of the film, which also makes us reflect on everything that has already happened in our country (and on what continues to happen).

Filmelier
Our suggestions
Brazil in the early 70s. Miguel, Eloi, Osvaldo and Paolo take part in armed attacks against the military dictatorship. They pay a heavy price with torture and arrest.
To share
Do you want to watch something different?
Watch full movies now!
Press play and be surprised!
Where to watch?
From the same director

O Amor Segundo B. Schianberg
This movie interlinks earlier films of the Brazilian filmmaker Beto Brant, ‘Crime Delicado’ and ‘Cão Sem Dono’. It is a story to be contemplated that shows the problems of love in everyday situations. The couple in the movie, Felix and Gala, explore the relationship between reality and filmmaking. ‘O Amor Segundo B. Schianberg’ is highly recommended for reflecting on love and relationships.

Stray Dog
Adaptation of the book 'Until the Day the Dog Died' by Daniel Galera. With good dialogue and performances, it's an interesting movie about relationships and life dissatisfactions. The feature film starts slow but picks up pace and explores the main couple, Ciro and Marcela, very well.

Delicate Crime
This production is based on the book 'A Delicate Crime' by Sérgio Sant'Ann, exploring desire, art, fetishes, and acts of violence. Laden with a reflection on how we view art - and we are watching a movie which is also an artistic expression. In this context, the whole detective atmosphere has also been inserted - after all, we can't forget that the name of the production is 'A Delicate Crime'.

Belly Up
"The Killers" brings an intriguing, tense and very well-constructed story - flirting directly with film noir. Another great movie that makes up the résumé of director Beto Brant and, by the way, was his first feature film and at a time when Brazilian productions were being resumed after the impeachment of Fernando Collor. It was a great debut for Brant, with a strong cast, including Murilo Benício, Chico Diaz and Maria Padilha. A very good work that was part of the selection of the Toronto Festival.

I'd Receive the Worst News from Your Beautiful Lips
This is the third movie by the partnership of Beto Brant and Renato Ciasca, based on the homonymous book from Marçal Aquino, who has already been present in many other movies by Brant as a screenwriter or due to his books. 'I Would Receive the Worst News from Your Beautiful Lips' brings an intriguing love triangle that urges you to keep watching the movie. Camila Pitanga charms in every scene she appears and succeeds in conveying all the dramatic elements of her character.

The Trespasser
One of the most recognized works of director Beto Brant's career, 'The Invader' was featured in several festivals around the world, including being awarded at Sundance. The police film discusses greed and corporatism present in large cities, and shows how strong national cinema can be. One of the highest points of 'The Invader' is the performance of Paulo Miklos (ex-member of Titãs), which is fantastic. In fact, the whole cast is good, featuring Mariana Ximenes, Marco Ricca, Alexandre Borges, and George Freire. Soundtrack and direction are impeccable.
Drama
Leave the World Behind
A family's vacation in a luxurious home takes a turn for the worse when a cyberattack affects all their devices and two strange people knock on the door.

Totem
When it comes to personal pain, Mexican cinema tends to lean too much towards exaggerated melodrama, or towards the most mediocre miserabilism. With Totem, Mexican filmmaker Lila Avilés (awarded at the Morelia Film Festival for both this film and The Chambermaid) reminds us that there is another path: one of understanding, acceptance, and feeling. This is precisely what she invites us to do through the story of Sol (Naíma Sentíes), a little girl who gathers with her family to celebrate her father's birthday (Mateo García), who is too ill to attend the party. With great scriptwriting and a camera that is both furtive and complicit, Avilés' gaze infiltrates the bittersweet intimacy of a family united by imminent pain, gradually revealing, with compassion, the ways in which each person faces it.

Toll
Suellen, a toll booth attendant, uses her job to help a gang of thieves steal watches so that she can afford to send her son to a gay conversion workshop.

Hard Days
Between Christmas and New Year's Eve, on December 29th, detective Yuji Kudo drives his car to visit his mother, who is hospitalized with a serious health problem. On the way, he receives a call from the commissioner inquiring about his involvement in the creation of a secret fund, just as he learns that his mother has passed away. Yuji then accidentally hits a man with his car, who dies instantly. It's at this point that the protagonist, in the hospital, tries to cover up the death of the man he ran over by placing his corpse in his mother's coffin. Hard Days, an unlikely Japanese dramatic thriller, depicts the consequences of Yuji's decision, as he grapples with a series of mistakes stemming from his bizarre choices while under investigation. With a strange and tense, yet emotional atmosphere, the feature showcases the skill of filmmaker Michihito Fujii, who knows how to blend genres in a film full of improbabilities but true.
