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Why watch this film?
"El Mariachi" is no more nor less than Robert Rodriguez's cinematic debut, director of films such as "Machete" and "Sin City: A Dame to Kill For". With a low budget and small production in Northern Mexico, Rodriguez filmed this contemporary western that launched his "Mexico Trilogy", which would be continued with Antonio Banderas in the lead role.

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A traveling mariachi is mistaken for a murderous criminal and must hide from a gang bent on killing him.
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From the same director

From Dusk Till Dawn
Written and starred in by Quentin Tarantino (sharing the spotlight with George Clooney), this movie directed by Robert Rodriguez was not a big success at the cinemas or critically. However, over the years it has become a true cult classic of the 1990s. It's easy to see why: its B-movie vibe creates the perfect atmosphere for an unpretentious and fun vampire movie. It may not be the highlight of Clooney, Tarantino, and Rodriguez's careers, but it is still memorable.

Alita: Battle Angel
Director Robert Rodriguez (of 'Machete' and 'Sin City') joins none other than producer James Cameron (also the director of 'Avatar' and 'Titanic') to present a movie that is a visual delight, created using the latest motion capture and computer graphics techniques. The story is based on the manga 'Gunnm', which was critically acclaimed in Japan and follows the cyberpunk line of successes such as 'Ghost in the Shell' and 'Blade Runner'. Also noteworthy is the great performance by Rosa Salazar, who plays the titular character in Alita: Battle Angel.

Sin City
Based on Frank Miller's iconic graphic novels (also author of comic book classics such as '300' and 'The Dark Knight'), 'Sin City' is a successful experiment in faithfully adapting the look of a comic book, and it's really the closest thing to a live-action graphic novel. Its powerful imagery, extreme violence, snappy dialogue, and disturbed characters will stay with you.

Machete
Directed by Robert Rodriguez ("Sin City: A Dame to Kill For") from the parody trailer featured in "Grindhouse" (itself inspired by the titular character from "Spy Kids"), "Machete" is an absolutely ridiculous movie... and that's the whole point. It's a tribute to the hyper-violent exploitation and B-movie cinema that the director grew up on, taken to its most absurd and delirious extreme with gun-toting priests, motorcycles with machine guns, and very creative uses of a human intestine. Its cartoonish brutality is extremely entertaining to watch, especially when it's applied against xenophobia.

Once Upon a Time In Mexico
A tribute to spaghetti western films, popular in the 1960s, made by Robert Rodriguez. 'Once Upon a Time In Mexico' deserves to be watched more than once to understand all the details of the plot - which may seem a bit confusing at first glance. With a great cast, featuring Antonio Banderas, Willem Dafoe, Salma Hayek, Eva Mendes and even singer Enrique Iglesias, it's a great production for those who enjoy big action sequences and Robert Rodriguez's style. This movie was originally going to be directed by Quentin Tarantino, but it was Rodriguez who took over the direction and did a good job.

The Adventures of Sharkboy and Lavagirl
When it hit theaters back in 2005, 'The Adventures of Sharkboy and Lavagirl' had its big draw in its 3D visuals - people in the theater would wear blue and red plastic lenses glasses to get a rather crude depth effect. That's what made this feature, which tries to ride the success of movies like 'Spy Kids', have considerable box office success. Today, everything is a bit aged in 'The Adventures of Sharkboy and Lavagirl': the visuals are strange, the story is bad and the 3D can't be reproduced at home. Nevertheless, even so, this different movie by Robert Rodriguez ('Alita', 'El Mariachi') ends up getting points for its strangeness and creativity, which remain alive even with so much evolution in terms of narrative, visuals and technical aspects of the cinema.

We Can Be Heroes
Robert Rodriguez returns to command action productions with children in 'We Can Be Heroes'. The film also marks the return of Sharkboy and Lavagirl, who were the protagonists of one of the director's productions in 2005 - in fact, 'The Adventures of Sharkboy and Lavagirl in 3-D' was one of the first feature films released in 3D within the modern "revival" of the format. The production shows the children of the greatest heroes on Earth having to join forces to face the aliens that have invaded the planet. 'We Can Be Heroes' speaks about the importance of diversity and the weight of responsibilities.

Happier than Ever: A Love Letter to Los Angeles
Accurately content in almost all streaming services is the musical. Not super productions like 'La La Land', 'Singing in the Rain' or 'Mamma Mia!', but films that show the intimacy of great artists while also diving deeper into their talents, shows and performances. And 'Happier than Ever: A Love Letter to Los Angeles' is one more production of this type. Here, singer and songwriter Billie Eilish presents the songs from the album 'Happier than Ever' with a special garment, with orchestra and a different look. It reminds a little of what Disney had done before with Taylor Swift in 'Folklore: Long Pond Studio Sessions'. It's beautiful, well produced and certainly will please fans of Billie Eilish's work -- and, unfortunately, not much more than that.
Thriller

La extorsión
A solid Argentine genre film proposal. La extorsión follows a commercial pilot who holds some secrets, which intelligence services start to use against him to extort him and force him to smuggle a suitcase from Argentina to Spain. Naturally, the tension starts to get to him and things get out of hand, in an intense plot with some logic flaws. However, the lead performance by Guillermo Francella (El clan) is, as always, impeccable. If you enjoy thrillers, you're sure to love it.

Death's Roulette
A surprising mix made in Mexico of escape room and horror thriller genres, similar to Saw: juego macabro. In Death's Roulette, we follow a group of seven strangers who awaken trapped in an unknown house. To escape, they have to make an impossible decision: one of them must die, somebody has to agree to it and cannot offer themselves. With time running out to save their lives, the group soon discovers that a dark secret from the past binds them together. Even if it doesn't reinvent the wheel and is a bit predictable, there are interesting twists in the narrative, highlighted by a great cast including names like Maribel Verdú, Adriana Paz and Fernando Becerril. A solid directorial debut for Colombian actor Manolo Cardona, best known for roles in productions such as Narcos and Rubirosa.
