Halloween (2018)
Halloween
”Laurie Strode faces her past and seeks revenge against Michael Myers.”
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Why watch this film?
Forget all the other movies in the franchise: this is a direct sequel to the 1978 classic 'Halloween' directed by horror master John Carpenter. Ignoring all the stories told in the 1980s, 1990s, and 2000s, this new movie brings back Jamie Lee Curtis as Laurie Strode, who survived the events of 78 and, suffering from PTSD, seeks revenge against killer Michael Myers. Showing respect towards Carpenter's work, director David Gordon Green does a competent job and is highly praised by critics.
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Plot summary
Laurie Strode confronts her long-time foe Michael Myers, the masked figure who has haunted her since she narrowly escaped his killing spree on Halloween night four decades ago.
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From the same director
Stronger
The movie is a reflection on the inspiring story of Jeff Bauman, a man who lost his legs in the Boston Marathon bombing of 2013. In this context, it is clear that it is a production that causes some discomfort, but remains inspiring. The script focuses on Bauman's emotional and physical recovery journey. Starring Oscar nominees Jake Gyllenhaal and Miranda Richardson, and Emmy winner Tatiana Maslany, 'Stronger' is a must-see for those looking for great stories.
Halloween Kills
Here, one of the most iconic horror films of the 1970s is back in the spotlight for genre fans. In the direct sequel to the 2018 production - which is worth revisiting before tackling 'Halloween Kills' - we follow the endless Halloween night of the town of Haddonfield, Illinois, USA. The protagonist of the original movie, Laurie Strode (played by Jamie Lee Curtis), takes a back seat this time and the protagonists are other survivors of the community, who decide to get rid of the bloodthirsty Michael Myers once and for all. Those familiar with the franchise know that joining forces against the killer is a waste of time and a death sentence, as he is practically immortal. But still, we embark on another bloody journey trying to understand why Myers continues with this killing spree. David Gordon Green, who also directed 'Halloween' (2018) and will lead the third movie of this reboot, manages to bring some creativity to a script that, unfortunately, grows little in almost two hours of film. In any case, the gore combined with the scares is a formula that still manages to guarantee fun for those who like slashers and, without a doubt, Green delivered a great job in this regard.
Halloween Ends
Movie that concludes the story started in 'Halloween' 2018 (ignoring all previous films, except the original from 1978) and continued by 'Halloween Kills: The Terror Continues'. Directed again by David Gordon Green, 'Halloween Ends' begins four years after Michael Myers' last appearance, with Laurie Strode (Jamie Lee Curtis) finally finding some peace. The movie introduces a new character with whom it intends to close a narrative about trauma, fear, prejudice, and marginalization told by its two predecessors. It doesn't always work out and, in fact, ends up leaving Laurie and Michael aside, in a narrative with sudden and not always justified turns. However, for fans of the new trilogy created by Green, it will be a satisfactory closure. Read our full analysis here.
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Abigail demonstrates why we should keep an eye on the director duo Matt Bettinelli-Olpin and Tyler Gillett, especially when they have original material at their disposal (they also directed Scream 5 and 6, with mixed results). Abigail is a film that manages to balance the terror and tragedy of its characters with the absurdity of its premise, thanks to a clever script that plays with the conventions of vampire literature, careful direction, and a phenomenal cast (led by Mexican actress Melissa Barrera and Dan Stevens) that fully utilizes their roles. The plot follows a group of kidnappers tasked with a delicate job: to kidnap a millionaire's daughter for ransom. However, it all turns out to be a trap: beneath the guise of a 12-year-old girl, the victim is actually an ancient vampire who likes to play with her food. Like Ready or Not in its time, this film is self-aware, pushing its story and violence to the most absurd and fun limits without falling into self-parody. It won’t change the history of horror cinema, but it’s an excellent (and even stylish for a film of its genre, I dare say) choice for a fun time at the movies with friends.
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