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The classic medieval story of King Arthur has been interpreted and reinterpreted many times on the big screen. There's animation ("The Sword was the Law"), children's films ("The Boy Who Wanted to Be King") and even satires ("Monty Python and the Holy Grail"). Now, in this version, filmmaker Guy Ritchie ("Snatch: Pigs and Diamonds", "Aladdin") puts his style and aesthetic on the legend of the man who recovered the Excalibur sword. With good performances from Charlie Hunnam ("Sons of Hope") and Jude Law ("Closer: Too Close"), the director plays with the narrative by mixing events, altering the timeline and creating an hallucinating rhythm in this already known story. Thus, the great differential here is in relation to the treatment of the story and the new look that it gains under Ritchie's command, who has already created his own mark in cinema. Not everyone will like the way the story is approached, full of comings and goings, but it is undeniable that the movie surprises and knows how to bring news with scenes of action, adventure and pursuit full of life and good surprises.

Filmelier
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Robbed of his birthright, Arthur comes up the hard way in the back alleys of the city. But once he pulls the sword from the stone, he is forced to acknowledge his true legacy - whether he likes it or not.
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From the same director

Aladdin
Disney continues its series of adaptations of great animated classics to live-action version. The result with 'Aladdin' is mixed, as it has the virtue of reinventing the story for a new generation, with some changes in Princess Jasmine, as well as spectacular special effects. On the other hand, it does not reach the same level as the original production, despite the efforts of Will Smith - although the actor manages an original interpretation for the genie, he has the ungrateful shadow of the work of Robin Williams, who did the original voice of the character in the 1990s feature film. The direction is by Guy Ritchie, from the acclaimed 'Lock, Stock and Two Smoking Barrels'.

The Gentlemen
Beloved and hated in equal proportions, filmmaker Guy Ritchie has managed to imprint his own style on the cinema. His films, 'Lock, Stock and Two Smoking Barrels' and 'Snatch', feature an insane rhythm, intelligent editing and stories that delve into various plots and characters. In 'The Gentlemen', this is no different. Here, the director uses his already traditional style to tell the story of an American expatriate trying to sell his million-dollar marijuana business in London, generating unpredictable effects. The story is flavorful, the rhythm is insane and, above all, the entire cast is spectacular - with special mention to Matthew McConaughey and Charlie Hunnam. An intense, and even complicated, movie but that rewards at the end with a well-tied plot and Ritchie exercising his energetic and striking direction again.

The Man from U.N.C.L.E.
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Operation Fortune: Ruse de Guerre
Since 'Snatch', director Guy Ritchie has tried to step out of his comfort zone with family fantasies like 'Aladdin', epics like 'King Arthur' and period mysteries like 'Sherlock Holmes'. However, it's clear he's back in his element when he goes into action, like in 'The Infiltrator' (with Jason Statham) or, even better, in the worlds of cynical and charismatic criminals like in 'The Gentlemen'. In 'Operation Fortune: Ruse de guerre', we're halfway between both, with mixed results. The plot follows superspy Orson Fortune (Statham), who must make an uncomfortable alliance with other agents to stop billionaire criminal Greg Simmonds (Hugh Grant). How? By using his favorite Hollywood actor, Danny Francesco (Josh Hartnett) as an infiltrator. There are some poorly crafted elements and others that work very well, like Aubrey Plaza ('White Lotus'), who takes a lot of jokes from the whole thing and from Ritchie's own "formula". The director has found his niche and feels comfortable in it: if you know his movies, you already know what to expect from the feature film, for better or for worse.

Guy Ritchie's The Covenant
Director Guy Ritchie (RocknRolla) takes a break from his usual action movie territory to venture into war movies. Guy Ritchie's The Covenant follows American Sergeant John Kinley (Jake Gyllenhaal), who in his last service in Afghanistan becomes the sole survivor of an ambush alongside Ahmed (Dar Salim), his local interpreter. Ahmed drags John for miles through the Afghan desert to save him, but ends up being captured by the Taliban. Feeling indebted, John decides to go back and rescue him. The script is a bit uneven and falls into many clichés of the American war genre. However, it is a captivating story that shines with Ritchie's visual style in the action scenes as well as with the performances of Gyllenhaal and Salim.
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Spy Kids: Armageddon
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