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Anonymity and violence intertwine in a post-9/11 prison setting, where characters blur the lines between victims and perpetrators.
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Post 9/11, dark and disturbing Because I Can touches on a number of issues, whist portraying a kafka-esque vision of a never-ending cycle of violence in which the perpetrators are as much the victims as the detainees. Set in a desolate prison cell, the action seems timeless- and the resulting anonymity of both the characters and their surrounding makes the events all the more horrific.
