In the Mood for Love (2000)
In the Mood for Love
”Two neighbors bond over suspicions of infidelity, but keep it platonic to avoid wrongdoing.”
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Why watch this film?
It would be technically correct, albeit limiting, to say that 'Fa yeung nin wah' is one of the most beautiful films about love and heartache in cinema history. Released with the arrival of the new century - and millennium - but set in the crucial decade of the 60s for modern Asian history, 'Fa yeung nin wah' is not only a postmodern ode to the desire for intimacy, but also to the inevitable transience of all that exists, whose remains are nothing more than intangible, unattainable, and increasingly blurred memories. Director Wong Kar-Wai manages to capture in the film the one thing that remains in the end: displacement, the feeling of being in a time and place that no longer exists and to which one always yearns to return.
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Plot summary
Two neighbors, a woman and a man, form a strong bond after both suspect extramarital activities of their spouses. However, they agree to keep their bond platonic so as not to commit similar wrongs.
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From the same director
Chungking Express
Depending on who you ask, 'Chung Hing sam lam' can be considered the third or fourth feature film of the great Hong Kong filmmaker, Wong Kar-Wai ('In the Mood for Love'), as it was made during a break in the production of 'Ashes of Time', and was released at the beginning of the same year. What is certain is that the movie marked his first undisputed success in Hong Kong and attracted greater attention from the international audience, with a markedly own visual and narrative style, emphasizing disconnected and fragmented stories about love and sorrow through hypnotic cadence images. In total contrast to his previous productions, 'Chung Hing sam lam' is a film that brings out the best of his vision, filmed by pure creative impulse of an independent spirit in less than a month.
Ashes of Time Redux
Released in 1994 and selected for the Berlin Film Festival that year (where it won the Best Photography award, by Christopher Doyle), 'Dung che sai duk' was only the third feature film directed by Wong Kar-Wai (fourth if taking into account 'Amores Expressos', filmed during a brief hiatus in production and released earlier), commissioned to finance his other projects. Although it is a movie classified as "wuxia" (fiction of martial arts in ancient China), the director has a very unconventional approach, with a fragmented narrative and even difficult to follow at certain points, although this disposition to break with conventions helped to put it in the sights of the Western audience. In the face of criticism, Wong Kar-Wai released a new version in 2008, entitled 'Redux', with a slightly shorter duration. However, as it was not re-released from an original copy of the movie, 'Dung che sai duk Redux' suffers from lower image quality and color treatment, although it still provides beautiful images. It is, without a doubt, one of the most overlooked and least appreciated works of the filmmaker.
Fallen Angels
This is the fifth feature film by Hong Kong filmmaker Wong Kar-wai. 'Fallen Angels' was conceived as the third story to be told in 'Chungking Express', his previous movie about two lovesick cops. When deciding that his film was complete as it was, Wong proceeded to reimagine the third story into a new production, but with a distinct visual proposal that makes them together a diptych: day and night in Hong Kong. In collaboration with his "go-to" cinematographer, Christopher Doyle, the photography of 'Fallen Angels' uses wide-angle lenses to shoot its protagonists close up and distort the world around them, evoking their emotional detachment from reality.
Happy Together
This is the movie that solidified Hong Kong's Wong Kar-wai as one of the most exciting filmmakers worldwide, after productions such as "Chungking Express"; and it is also considered one of the most influential films in the context of New Queer Cinema (despite being an outside production to the United States and the United Kingdom, considered as the epicenters of the movement). “Happy Together” employs a simple narrative in story, yet very stylized in its execution, with a perfectly everyday and natural portrayal of a homosexual relationship that struggles to survive, without falling into the typical melodramas of movies about the subject. ‘Happy Together’ gave Wong Kar-wai the Best Director Award at the Cannes Film Festival.
2046
The last part in Wong Kar-wai's unofficial trilogy, alongside 'Days of Being Wild' and 'In the Mood for Love'. If the latter is about the unfulfilled temptation of a love within reach in an era where time seemed immutable, '2046' is about regret, the impossibility of returning and reclaiming what was let go, with the catharsis of artistic creation as the only solace. An ode to heartbreak and loneliness as melancholic as it is visually extravagant.
My Blueberry Nights
"My Blueberry Nights" is a 2006 film directed by Wong Kar-wai. The movie tells the story of Elizabeth (Norah Jones), who embarks on a journey across the United States to escape her troubles. Along the way, she meets a series of colorful characters who help her find herself. The film is visually stunning, with Wong Kar-wai's signature style of dreamy, impressionistic visuals. The performances are excellent, with Norah Jones making an impressive acting debut and Jude Law delivering a standout performance. The soundtrack, featuring original songs by Norah Jones, is also a highlight of the film. While the movie may not be for everyone, those who appreciate Wong Kar-wai's unique vision and style will find much to enjoy in "My Blueberry Nights". Overall, "My Blueberry Nights" is a beautiful, introspective film that will leave a lasting impression on viewers.
The Grandmaster
Selected to open the Berlin Film Festival in 2013 and nominated for two Academy Awards (Cinematography and Costume Design), this movie marks the return of Hong Kong's great filmmaker, Wong Kar-Wai, to martial arts cinema after his first (and until then only) foray into the genre with the film ''Ashes of Time'. Inspired by the life of the legendary martial arts master and mentor of Bruce Lee, 'Yi dai zong shi' is by far the most expensive movie in the director's career, and although it shares its protagonist with the 'Ip Man' movie series, it presents a totally different approach. The action sequences are equally spectacular, but one can perceive the director's trademark, from the involvement of actors like Tony Leung and Zhang Ziyi, to the captivating visual style and fragmented narrative to portray a period of Chinese and Hong Kong history that has been left behind, through the perspective of its protagonists.
Drama
Raspberries with Mustard
Meeri Ehrlich, 13 years old has three problems. First: She is in love - with the wrong person - and has butterflies in her tummy. Second: Her mother passed away and she misses her a lot. Third: her father - owner of a funeral home - is looking for a new partner. But Meeri has something that is only hers, something very special - she can fly.
Underdog
In its effort to raise awareness about the precarious social reality of certain sectors of the population, Mexican cinema tends to fall into miserabilism (or so-called "poverty porn"), whether in documentaries or fiction. The quest of Mexican cinema for new creative and narrative horizons is ongoing, and in the case of Underdog (Correr para vivir), director and co-writer Gerardo Dorantes opts for what, in its conventions, is an action and crime thriller extrapolated to the context of the Rarámuri (or Tarahumara) indigenous people of northern Mexico, famous for their running tradition (and their extraordinary talent for it). The plot follows two brothers: Omero (Vladimir Rivera), who dreams of being a runner; and Capó (Manuel Cruz Vivas), who is more talented but also troubled. Both are dragged into a life of service to the drug trade when Capó, in an attempt to provide for his pregnant girlfriend, fails in a cocaine delivery. To be honest, it's a good attempt to steer Mexican cinema towards other directions that are not the typical exploitation of social dramas or anthropological documentaries. However, the film ends up falling into the same vices, representing Rarámuri culture from a superficial and idealized exoticism, creating entertainment from a real social context with little sensitivity.
Downtown Owl
'Downtown Owl' - Searching for a break from her cosmopolitan life in Milwaukee, Julia Rabia (Lily Rabe), arrives in the closeknit Reagan-era town of Owl, North Dakota for a one-semester high school teaching job. But when the small town turns out to be a wonderland of second-string poets, smoldering Marlboro Men, and a social hierarchy that echoes high school, Julia doesn't know if she's come to town to get away from home or to find it. Ed Harris, Vanessa Hudgens, Henry Golding, and Finn Wittrock also star in this Great Plains dark dramedy directed by Lily Rabe and Hamish Linklater. Based on the novel by Chuck Klosterman.
Baby
After his release from a juvenile center, Wellington finds himself homeless in São Paulo. At a porn theater, he meets Ronaldo, who mentors him in street survival. Their bond evolves into a turbulent affair.
