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Why watch this film?
Interesting and sensitive work by director Josephine Decker ("You Were Light and Graceful") in this "Madeline's Madeline". With a curious title, the feature film tells the story of Madeline. An actress, she gets the role in a play to play the protagonist. The problem is that the main character wears a sweater like Madeline's; has a cat like Madeline's and holds a smoldering iron bar next to her mother's face, like Madeline. It's a copy of her on stage. From there, with an interesting and unexpected mix of documentary and surrealism, we see this character spiral into questions, putting the power of art at the center of the reflection. A movie with personality for those who like daring films in their proposal.

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A theatre director's latest project takes on a life of its own when her young star takes her performance too seriously.
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From the same director

Shirley
The legacy of American writer Shirley Jackson, known for her horror stories such as 'The Haunting of Hill House', was well honored in this production, which looks like one of her books. Because of this, 'Shirley' is one of those movies that you either love or hate. Director Josephine Decker made an interesting adaptation for the cinema of the biography written by Susan Scarf Merrell. The choice of Elisabeth Moss to play Shirley was spot on. As with everything Moss does, we once again follow an excellent performance that is almost magnetic. It's hard to take your eyes off her as soon as she appears on the screen.

The Sky Is Everywhere
With a poetic title, 'The Sky Is Everywhere' is a movie about adolescence, but it is not necessarily directed to that audience. After all, the feature film follows the journey of a shy teenager, who is following the path of music, and has to deal with the loss of her older sister. Despite this type of story having already been told in many ways, director Josephine Decker (‘Shirley’) is able to delve into dense themes with lightness and sensitivity, prioritizing reflection on loss, death and mourning. Highlight for the good cast of 'The Sky Is Everywhere', with names like Jason Segel ('Forgetting Sarah Marshall' and 'How I Met Your Mother') and Cherry Jones ('The Village', 'Signs').
Drama

When You Finish Saving the World
The debut of the star Jesse Eisenberg in directing feature films, also as the screenwriter, "When You Finish Saving the World" brings all the essence of "Lady Bird," Greta Gerwig's Oscar-nominated film: a teenager (Finn Wolfhard) feels lost in life while performing musical acts online about subjects of his age, while his mother (Julianne Moore), the director of a shelter for women victims of abuse, doesn't see him as an engaged person. That's where the worlds of the two collide: the boy starts trying to become more politically aware, not just to impress his mother, but also to catch the attention of a girl (Alisha Boe) at school; meanwhile, Moore's character starts treating one of the boys in the shelter, the son of a victim, as if he were her own child. It's a painful drama that, despite some simplifications and the natural irritation that arises from insufferable characters (what can you expect from Eisenberg, right?), has a soul and a heart to address the complexity of mother-child relationships.

A Million Miles Away
A biopic about Jose Hernandez and his path from a farm worker to becoming an engineer and an astronaut. A tale of perseverance, community and sacrifice to accomplish a seemingly impossible dream.

Strange Way of Life
Short film by the talented Spanish filmmaker Pedro Almodóvar (The Skin I Live In, Parallel Mothers), "Strange Way of Life" is quite different in terms of narrative from what we see in his other English-language short, "The Human Voice," but it shares the same essence: to provoke and question the language of cinema. While the other one is about the confining (and even existential) nature of characters, this one questions the limits of the western genre. How? Following in the footsteps of "Brokeback Mountain," it tells the love story of two men (Ethan Hawke and Pedro Pascal) in an environment that usually portrays toxic masculinity. In half an hour, the Spanish filmmaker builds an engaging narrative, discussing betrayal, fear, and redemption, in a story that keeps us hooked until its conclusion. And a word of caution for those watching it in theaters: it might be a good idea to skip the one-hour interview presented at the end. Apart from being too long, Almodóvar ends up providing information that interferes with the overall experience.
