Wheel of Fortune and Fantasy (2021)
Wheel of Fortune and Fantasy
”Three women navigate unexpected love, seduction traps, and misunderstandings in a film that explores the power of choice.”
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Why watch this film?
The Japanese director Ryûsuke Hamaguchi brings an unexpected love triangle in 'Gûzen to sôzô', a film that has the merit of momentarily changing the way we look at the passage of time. Through three stories, the plot shows how the choice of each character can change destiny, making us reflect on our own lives. Lightness, rebirth and hope are the great charms of this production. This is the second film that Hamaguchi has made in 2021, the other work of his is 'Drive My Car' - a highly praised production by critics and nominated for the Golden Globe.
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Plot summary
An unexpected love triangle, a failed seduction trap and an encounter that results from a misunderstanding, told in three movements to depict three female characters and trace the trajectories between their choices and regrets.
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From the same director
Drive My Car
Inspired by the homonymous story of Japanese writer Haruki Murakami, 'Doraibu mai kâ' is an example of how metalinguage in cinema can intertwine literature and theater in a well-constructed way. Ryusuke Hamaguchi's movie, nominated for four Oscars, makes a poetic reflection on love, grief and overcoming. Throughout three hours, the director composes the whole dilemma of the protagonist's life, played by Hidetoshi Nishijima (who is incredible in the character), and makes us understand a little more about how Japanese culture deals with losses. East Asian cinema tends to be a bit more distant in this regard and 'Doraibu mai kâ' brings another view of it - keeping in mind the Western gaze, of course. It is a very human movie about a society that deals with loss in a very different way from ours, but still it is possible to create a connection, because in the end we just want to move on. The dialogues are extremely well done and intense. The ending is very beautiful, bringing a piece of the Russian playwright and writer Anton Chekhov, 'Uncle Vanya', which is part of all the metalinguistic construction of the story.
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