Trailer
Why watch this film?
After directing the sensitive fantasy realism drama Border, Iranian filmmaker Ali Abbasi embraces another genre: suspense detective. In Sacred Spider, we follow a journalist (Zar Amir Ebrahimi) trying to uncover the identity of a serial killer, who is killing prostitutes in the sacred city of Mashhad. Even if suspense is not so much - the killer's identity is revealed in the first minutes of the footage - Sacred Spider remains full of tension. How? Only by showing how these women, even in an extreme vulnerable situation and being murdered under the same modus operandi, continue to be discredited by a society that simply ignores them. It is worth noting the great performance of Amir Ebrahimi, who carries the whole plot. Read more in our full review of Sacred Spider.

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Our suggestions
In Holy Spider, we follow family man Saeed as he embarks on his own religious quest - to "cleanse" the holy Iranian city of Mashhad of immoral and corrupt street prostitutes. After murdering several women, he grows ever more desperate about the lack of public interest in his divine mission.
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Border
Winner at the Cannes Film Festival in the Un Certain Regard category (and also nominated for an Oscar for Best Makeup), 'Border: Creatures of the Frontier' is a movie based on the homonymous short story by Ajvide Lindqvist, which with elements of drama, thriller, romance and fantasy inspired by Nordic folklore, builds an allegory about such diverse themes as marginalization, racism, discrimination, identity, and intolerance, but also about the purity of love and emotions, as raw and close to the skin as the violence that is represented on screen. It's a very peculiar mix of the mythical with the realism of contemporary society that can be shocking, but it's also true that you will see few movies like this one.
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Two sisters go diving at a beautiful, remote location. One of the sisters is struck by a rock, leaving her trapped 28 meters below. With dangerously low levels of oxygen and cold temperatures, it is up to her sister to fight for her life.

Golda
One of the main figures in the political landscape after World War II was Golda Meir. With her warm features, like a grandmother serving cake and coffee, the Israeli politician was one of the founders of the State of Israel and led it during the 1970s, being responsible for managing the country in times of conflict while Israel established itself as a nation before the rest of the world. It is precisely during this period that Golda, the feature film, takes place, which follows the backstage of the Yom Kippur War, when Israel faced Egypt and Syria. It is a smart biographical drama, which cuts off a single scenario to tell the life story of one of the most emblematic (and controversial) characters in Jewish political history. With Golda being played by an unrecognizable Helen Mirren, heavily made up but with force in her facial expressions, the feature film manages to impress with its faithful portrait of the Prime Minister. There is only one point of attention: director Guy Nattiv (Oscar-winning for the short Skin) fails to address other views on Golda and the Israeli cause to embrace a single view of Israel and Golda as the good guys and the Arabs, as has been happening for decades in cinemas, as heartless villains.

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Unable to process the death of his daughter, Detective Boyd embarks on a hunt for a serial killer who murders according to a brutal tribal ritual: Muti. The only person who can help Boyd is Professor Mackles, an anthropologist who hides an unspeakable secret. The line between sanity and madness thins as Boyd goes deeper into the killer’s world.

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Mario, a worker in a "lost and found" warehouse, finds a suitcase with the remains of baby inside. His investigation leads him to a dangerous prostitution and trafficking ring.
