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Why watch this film?
With Sylvester Stallone already in his third age, the actor paved the way to become a supporting character of a new franchise set in the same universe as 'Rocky': 'Creed'. In this feature we meet Adonis Johnson, the out-of-wedlock son of Apollo Creed, former adversary and later friend of Rocky. With love for boxing and never having known his father, Adonis seeks out the old champion to train him - until his true identity becomes public and he is forced to take on his father's surname and old stars and stripes shorts. Directed by Ryan Coogler (of 'Black Panther'), without Stallone's script for the first time in the series' history and starring Michael B. Jordan, 'Creed' thrills by bringing extremely current elements of boxing, putting paternal legacy as a dilemma and for bringing extremely well choreographed and excellently directed fight scenes. It is certainly one of the best of the franchise, on the level of the first 'Rocky'. It is worth noting that the production earned Stallone another Oscar nomination for Supporting Actor - a record in terms of period between one nomination and another for the same character (39 years).

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The former World Heavyweight Champion Rocky Balboa serves as a trainer and mentor to Adonis Johnson, the son of his late friend and former rival Apollo Creed.
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From the same director

Black Panther
The Marvel Cinematic Universe explores the first black superhero from comics in a purposeful version, with a majority cast made up of African-descendants (in addition to the director, Ryan Coogler) and characters that value the origins of African culture in the United States (and why not, in Brazil). One of the great moves is that Wakanda, the isolated country of the hero, was not a victim of European colonization, being able to flourish without being the target of external interests. The movie debates two views of the world, proposing a third way: collaboration between peoples. Also note the well-constructed characters and, especially, the strong female cast. No wonder 'Black Panther' broke several box office records and became a landmark for the representation of minorities in cinema.

Black Panther: Wakanda Forever
"Black Panther: Wakanda Forever" is undeniably a transition movie. After all, it comes after the death of Chadwick Boseman, the actor behind the mask of the Wakandan superhero, and has to figure out how to steer the franchise in a new direction. Shuri (Letitia Wright), Ramonda (Angela Bassett), Okoye (Danai Gurira)? Who will take on the mantle? From these questions, director Ryan Coogler ("Creed") leads a story of grief, sadness and new perspectives, trying to reorient the story of Black Panther after this painful blow. Despite conflicts with Namor, the underwater prince, the action scenes are only part of the show, which is more focused on telling stories of characters that have never been so real within the Marvel Cinematic Universe - for better or for worse.
Drama

Totem
When it comes to personal pain, Mexican cinema tends to lean too much towards exaggerated melodrama, or towards the most mediocre miserabilism. With Totem, Mexican filmmaker Lila Avilés (awarded at the Morelia Film Festival for both this film and The Chambermaid) reminds us that there is another path: one of understanding, acceptance, and feeling. This is precisely what she invites us to do through the story of Sol (Naíma Sentíes), a little girl who gathers with her family to celebrate her father's birthday (Mateo García), who is too ill to attend the party. With great scriptwriting and a camera that is both furtive and complicit, Avilés' gaze infiltrates the bittersweet intimacy of a family united by imminent pain, gradually revealing, with compassion, the ways in which each person faces it.

Toll
Suellen, a toll booth attendant, uses her job to help a gang of thieves steal watches so that she can afford to send her son to a gay conversion workshop.

Hard Days
Between Christmas and New Year's Eve, on December 29th, detective Yuji Kudo drives his car to visit his mother, who is hospitalized with a serious health problem. On the way, he receives a call from the commissioner inquiring about his involvement in the creation of a secret fund, just as he learns that his mother has passed away. Yuji then accidentally hits a man with his car, who dies instantly. It's at this point that the protagonist, in the hospital, tries to cover up the death of the man he ran over by placing his corpse in his mother's coffin. Hard Days, an unlikely Japanese dramatic thriller, depicts the consequences of Yuji's decision, as he grapples with a series of mistakes stemming from his bizarre choices while under investigation. With a strange and tense, yet emotional atmosphere, the feature showcases the skill of filmmaker Michihito Fujii, who knows how to blend genres in a film full of improbabilities but true.

Monster
With films like Shoplifters and Broker (among many others), Japanese filmmaker Hirokazu Kore-eda is a master at telling stories of complex morality, where the truth is never simple, and answers navigate through all shades of gray. Monster is another great demonstration of this (the film won Best Screenplay at the Cannes Film Festival 2023). Its plot begins with a mother concerned about her son's strange recent behavior, and after investigating, she begins to fear that he is being abused by a school teacher. However, as the plot unfolds, we witness all the elements that complicate and entangle the truth hidden behind. Monster is the kind of film that deeply moves and invites reflection on the ways we relate to—and judge—those around us.
