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Why watch this film?
Suzanna Andler (Charlotte Gainsbourg) is a woman trapped in her terrible marriage who must choose between continuing her life as a wife and mother or her freedom. Set in the 1960s, the film focuses on the weight of our choices and how it increases when you are not a man, who can easily leave his wife, children, and whatever else he pleases. The production is a cinematic adaptation of Marguerite Duras' homonymous play, scripted and directed by Benoît Jacquot ('Farewell, My Queen'). If you want something more dynamic, it is important to note that 'Suzanna Andler' has many and long dialogues. If you can get past that, you will find beautiful cinematography and great performances, with Gainsbourg standing out for her portrayal of her character's existential crises.

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Accompanied by her lover, Suzanna views a Riviera beach house for her family’s summer vacation. This day, this break in her routine, in this new house, will mark a turning point in her life. Suzanna Andler is the portrait of a woman trapped in her marriage to a wealthy, unfaithful businessman in the 1960s. She must choose between her conventional destiny as a wife and mother, and her freedom, embodied by her young lover.
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From the same director

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Drama
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When it comes to personal pain, Mexican cinema tends to lean too much towards exaggerated melodrama, or towards the most mediocre miserabilism. With Totem, Mexican filmmaker Lila Avilés (awarded at the Morelia Film Festival for both this film and The Chambermaid) reminds us that there is another path: one of understanding, acceptance, and feeling. This is precisely what she invites us to do through the story of Sol (Naíma Sentíes), a little girl who gathers with her family to celebrate her father's birthday (Mateo García), who is too ill to attend the party. With great scriptwriting and a camera that is both furtive and complicit, Avilés' gaze infiltrates the bittersweet intimacy of a family united by imminent pain, gradually revealing, with compassion, the ways in which each person faces it.

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Between Christmas and New Year's Eve, on December 29th, detective Yuji Kudo drives his car to visit his mother, who is hospitalized with a serious health problem. On the way, he receives a call from the commissioner inquiring about his involvement in the creation of a secret fund, just as he learns that his mother has passed away. Yuji then accidentally hits a man with his car, who dies instantly. It's at this point that the protagonist, in the hospital, tries to cover up the death of the man he ran over by placing his corpse in his mother's coffin. Hard Days, an unlikely Japanese dramatic thriller, depicts the consequences of Yuji's decision, as he grapples with a series of mistakes stemming from his bizarre choices while under investigation. With a strange and tense, yet emotional atmosphere, the feature showcases the skill of filmmaker Michihito Fujii, who knows how to blend genres in a film full of improbabilities but true.
