No Limit (2022)
No Limit
”A woman falls in love with a world champion freediver and becomes consumed by an extreme sport.”
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Why watch this film?
Netflix has been investing in dramas about intense and destructive romances - and, in this sense, 'Sous Emprise' already carries in its title what we are about to see. The movie shows the story of Roxana (Camille Rowe), a woman who runs away from her studies, and Pascal Gauthier (Sofiane Zermani), a world champion diver. Inspired by real events, Roxana throws herself headlong into the relationship and follows her beloved around the world, with his championships. With steamy scenes and lots of drama, the movie makes you reflect on what limits we should have in a relationship.
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Plot summary
When Roxana meets world champion freediver, Pascal Gauthier, she falls head over heels in love. She becomes both lover and student as Pascal initiates her into an extreme sport that's as enthralling as it is death defying. Moving from one competition to the next, in dive locations across the world, Roxana begins to push limit after limit, wholly consumed in the throws of this passionate affair... but where will it end?
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From the same director
How It Ends
Following the wave of post-apocalyptic films, Netflix brings us 'Next Stop: Apocalypse'. Amidst the chaos, a young man tries to find his pregnant girlfriend who is on the other side of the country. With Theo James, Forest Whitaker and Kat Graham, this is another original production from the streaming service that promises to leave everyone anxious and rooting for the characters.
Romance
Float
Waverly (Andrea Bang) thought she had her future figured out. She’d start her medical residency in Toronto after a summer visit to her parents in Taipei. When her plans are suddenly changed, she makes an impulsive detour to a small Canadian town, where she meets local lifeguard Blake (Robbie Amell). After he saves her from nearly drowning at a beach party, Blake offers to teach Waverly to swim, and as the lessons continue, the two unexpectedly find themselves falling in love. But will Blake’s ties to his past and Waverly’s plans to begin a new job keep them apart once summer ends? Based on the novel by Kate Marchant.
The Nature of Love
Sophia, a 40-year-old philosophy professor, has been in a stable and conventional marriage to Xavier for a decade. From gallery openings to endless dinner parties, ten years have flown by. When Sophia meets Sylvain, a craftsman renovating the couple’s new country house, Sophia’s world is turned upside down. The two begin a passionate affair fueled by their irresistible physical connection. However, Sophia comes from a wealthy family of intellectuals, while Sylvain comes from a working-class family of manual workers. As they get to know each other on a deeper level, Sophia begins to question her own values after abandoning herself to her great romantic impulses. Director Monia Chokri delivers a smart and sexy romantic comedy, infusing it with spiky energy and fresh perspective, upending genre and gender conventions.
Goyo
Goyo is a romantic film directed by Argentine filmmaker Marcos Carnevale (known for movies like Elsa & Fred). It's about a museum guide with Asperger's syndrome (Nicolás Furtado) who unexpectedly falls in love with the museum's new security guard (Nancy Dupláa), an older woman disillusioned with love. The story is appreciated for its touches of humor and the portrayal of a romantic relationship for a neurodivergent person (in this case, on the autism spectrum). However, the story is somewhat superficial and melodramatic. You'll enjoy it if you're looking for a tender, uncomplicated romance to enjoy with a partner.
Jeanne du Barry
Jeanne du Barry is a French period drama, directed and starring Maïwenn (known for The Fifth Element), about the courtesan and the last official mistress of King Louis XV (Johnny Depp) of France. The film chronicles her life from her childhood and formative years as a servant's daughter, to her rise in French society through sex, alliances, and strategic marriages. Although well-crafted, it is a very conventional drama that, in its making, invites not very favorable comparisons with Barry Lyndon. While Kubrick's classic manages to be a very subtle satire, Maïwenn's film takes itself too seriously. This, considering its representation of the female gender and the backgrounds of its two main stars, not only does not help but invites questioning the purpose of telling this story, with so little hope for its protagonist. You will enjoy it if you like period dramas with sumptuous costumes, or if you are an avid follower of Johnny Depp.
