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Why watch this film?
The acclaimed director Yorgos Lanthimos' film, ‘The Lobster,’ reimagines the period of Queen Anne's reign, who unified England and Scotland to create Great Britain. Lanthimos takes many poetic liberties in this farcical version of Anne's story, as we get to know a fragile queen who is subordinate to the machinations of those closest to her. This creates a subtext about power and corruption that is relevant to this day. The great performances of the main trio (Olivia Colman, Rachel Weisz, and Emma Stone), photography, editing, costume design, and direction – all were nominated for Academy Awards. Olivia ended up taking home the Best Actress statue.

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In early 18th-century England, a frail Queen Anne occupies the throne and her closest friend, Lady Sarah, governs the country while tending to Anne’s health. When new servant Abigail arrives, Sarah takes Abigail under her wing as she cunningly schemes to return to her aristocratic roots, setting off an outrageous rivalry to become the Queen’s favourite.
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From the same director

The Killing of a Sacred Deer
This movie is not for the faint of heart: it's completely nauseating and hard to watch. With a great cast, featuring Nicole Kidman, Colin Farrell and Barry Keoghan ('Dunkirk'), we are faced with a very peculiar story, typical of Greek director Yorgos Lanthimos ('The Lobster'). 'The Killing of a Sacred Deer' mixes faith, religion, family conflicts and doubt. Fans of his who watched 'The Tooth Fairy' should be used to productions that cause discomfort to the viewer. The production works as a great reflection on how human nature's desires can shock us. The movie was the winner of the Cannes Festival 2017 Best Screenplay Award.

Nimic
Greek filmmaker Yorgos Lanthimos has established himself as one of the leading names in current cinema, with films such as 'The Lobster', 'Dogtooth' and 'The Favourite'. Now, in 'Nimic', this brief experimental exercise in short film format, Lanthimos seems to go beyond mere understanding. To do this, he tells the story of a professional cellist who meets a stranger on the subway and begins to experience transformations in his life. It's a strange movie, bordering on senselessness. And no wonder. Although 'Nimic' resembles the word "mimic" or something like that, "nimic" in Romanian means nothing. This may be the proposal of the short film, which undoubtedly brings a disturbing character and, above all, should raise discussions about the real meaning behind Lanthimos's story.

The Lobster
Director Yorgos Lanthimos of 'The Favourite' brings us a strange and interesting comedy-drama about a near (and dystopian) future in which single people are a plague to society. With an all-star cast (including names like Colin Farrel, Rachel Weisz, Léa Seydoux and John C. Reilly), a great metaphor about current society is built. An intelligent screenplay that earned an Oscar nomination.
Drama

Totem
When it comes to personal pain, Mexican cinema tends to lean too much towards exaggerated melodrama, or towards the most mediocre miserabilism. With Totem, Mexican filmmaker Lila Avilés (awarded at the Morelia Film Festival for both this film and The Chambermaid) reminds us that there is another path: one of understanding, acceptance, and feeling. This is precisely what she invites us to do through the story of Sol (Naíma Sentíes), a little girl who gathers with her family to celebrate her father's birthday (Mateo García), who is too ill to attend the party. With great scriptwriting and a camera that is both furtive and complicit, Avilés' gaze infiltrates the bittersweet intimacy of a family united by imminent pain, gradually revealing, with compassion, the ways in which each person faces it.

Toll
Suellen, a toll booth attendant, uses her job to help a gang of thieves steal watches so that she can afford to send her son to a gay conversion workshop.

Hard Days
Between Christmas and New Year's Eve, on December 29th, detective Yuji Kudo drives his car to visit his mother, who is hospitalized with a serious health problem. On the way, he receives a call from the commissioner inquiring about his involvement in the creation of a secret fund, just as he learns that his mother has passed away. Yuji then accidentally hits a man with his car, who dies instantly. It's at this point that the protagonist, in the hospital, tries to cover up the death of the man he ran over by placing his corpse in his mother's coffin. Hard Days, an unlikely Japanese dramatic thriller, depicts the consequences of Yuji's decision, as he grapples with a series of mistakes stemming from his bizarre choices while under investigation. With a strange and tense, yet emotional atmosphere, the feature showcases the skill of filmmaker Michihito Fujii, who knows how to blend genres in a film full of improbabilities but true.

Monster
With films like Shoplifters and Broker (among many others), Japanese filmmaker Hirokazu Kore-eda is a master at telling stories of complex morality, where the truth is never simple, and answers navigate through all shades of gray. Monster is another great demonstration of this (the film won Best Screenplay at the Cannes Film Festival 2023). Its plot begins with a mother concerned about her son's strange recent behavior, and after investigating, she begins to fear that he is being abused by a school teacher. However, as the plot unfolds, we witness all the elements that complicate and entangle the truth hidden behind. Monster is the kind of film that deeply moves and invites reflection on the ways we relate to—and judge—those around us.
