Trailer
Why watch this film?
When filmmaker Yorgos Lanthimos was shooting his celebrated 'The Lobster', there was someone behind the scenes taking note, jotting down and observing everything his fellow countryman was doing. It was Christos Nikou, then assistant director of Lanthimos and director of 'Mila' (also known by its English title, 'Apples'), a film selected for the Venice Film Festival and also screened at the Toronto Film Festival. Whereas in 'The Lobster' the viewer found three siblings living isolated from the rest of society and being educated in a parallel world by their father, in 'Mila' we are confronted with a man who has forgotten who he is and how to live in society. After all, he is just one of the people affected by a brutal amnesia crisis. With no close relatives, he ends up entering a government program to recover these people. The result is a film that provokes the viewer, harshly criticizes technology and makes us question: are we living or just fulfilling roles of a social protocol that is shown to us? It's hard to find an answer, especially with such strangeness of the movie. However, it's hard not to finish the film without some reflections and a handful of good questions.
![Filmelier](https://media.filmelier.com/images/curadores/imagem/6560fa8b2d992d63beae7cd4cf0bc9b8.png)
Filmelier
Our suggestions
Plot summary
Venice Festival 2020. A lonely man loses his memory in a strange wave of amnesia that sweeps through his city. Volunteering in an experimental treatment, he begins to rediscover life's small pleasures and create a new self.
To share
Do you want to watch something different?
Watch full movies now!
Press play and be surprised!
Where to watch?
Soon in theaters
Available at home
Drama
![We Live in Time](https://media.filmelier.com/tit/d8l7bw/thumb/we-live-in-time_4T10r3I.jpeg)
We Live in Time
Almut finds her life forever changed by a chance encounter with Tobias, a recent divorcé. But after falling for each other, building a home, and starting a family, a difficult truth is revealed.
![Bonnard: Pierre & Marthe](https://media.filmelier.com/tit/vrEk27/thumb/bonnard-pierre-marthe_f0Pkq7s.jpeg)
Bonnard: Pierre & Marthe
Based on the true story of renowned French painter Pierre Bonnard and his muse and wife, Marthe. Through delicate brushstrokes and vibrant colors, Bonnard immortalized her beauty and the essence of her soul in his art.
![The Peasants](https://media.filmelier.com/tit/P39qx1/thumb/the-peasants_DVNPwyY.jpeg)
The Peasants
The Peasants is an animated film by the same directors of Loving Vincent, using the same innovative technique, which could be described as "oil-painted rotoscopy". Based on the Nobel Prize-winning novel The Peasants (1904) by Władysław Reymont, it's a tale of desire and revenge told in four episodes, one for each season of the year. The story, set in Poland at the turn of the 20th century, follows a young peasant woman who wreaks havoc by marrying an older, wealthy man, whose son also desires her, despite being married. It is a powerful and bleak, although conventional tale about violence and misogyny, somewhat overshadowed by its beautiful and prodigious visual execution.
![Suite Française](https://media.filmelier.com/tit/wYiygd/thumb/suite-francaise_zKDPaSk.jpeg)
Suite Française
Set in France during 1940, Suite Française follows beautiful Lucile Angellier who awaits news from her husband, a prisoner of war, whilst leading a stifled existence with her mean, controlling mother-in-law. When Parisian refugees pour into their small town, soon followed by a regiment of German soldiers who take up residence in the villagers' homes, Lucile’s life is turned upside down. In the Angellier home, Lucile initially tries to ignore Bruno, the handsome and refined German officer who has been posted to live with them. But soon, a powerful love draws them together and traps them in the tragedy of war.
![La Suprema](https://media.filmelier.com/tit/BlAcYh/thumb/la-suprema_ZrB_f9Q.jpeg)