Trailer
Why watch this film?
After 'The Conjuring 2', released in 2016, James Wan is back directing another horror movie. Different from his previous works, 'Saw', 'Scream' and 'Supernatural', 'Malignant' has a different story and influences from classic directors of the genre. Visually speaking, the production is impeccable, the director's creativity in filming from different angles manages to build up the suspenseful atmosphere - which draws from Alfred Hitchcock and Dario Argento, specifically in 'Phenomena', from 1981. The feature also has an excellent soundtrack, which accompanies the tense scenes, and this time, Wan left out the jumpscares - there are very few moments when these "sudden scares" happen. In terms of story, 'Malignant' starts off well, has a solid development, but the ending ends up being a break of expectations for those taking the movie seriously. For those who weren't, it ends up being a quite entertaining change of direction. So watch it more for entertainment than for terror.
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Plot summary
Madison is transfixed by shocking visions of gruesome murders, and her torment worsens when she discovers that these waking dreams are, in fact, terrifying realities.
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From the same director
The Conjuring
In relation to more traditional supernatural horror films, 'The Conjuring' is among the most successful productions in recent history. Even though it doesn't propose something truly original, director James Wan takes advantage of typical narrative resources and a palpable tension to cause incredible scares from the audience. Contemporary technology of special effects makes it possible to achieve something truly frightening, which strays away from what was seen in this type of movie in the 1980s.
Insidious
After 'Saw' and before 'The Conjuring', filmmaker James Wan scored a movie about spirits and ghosts that showed his full potential in the horror genre: it was 'Insidious', a feature film that opened the way for the creation of a franchise. Scary in the right measure, and with good performances from Patrick Wilson (who would also be seen in 'The Conjuring') and Rose Byrne ('Bridesmaids'), the movie already shows Wan's unmistakable style, giving scares at unexpected moments, betting on creatures that cause nightmares and not afraid to play with the genre's patterns. It's not his best movie, but it's definitely a good and fun pastime for those who enjoy the director's scary universe.
Furious 7
This is undoubtedly the apex of 'Furious 7' in theaters, receiving the highest praise from critics throughout the franchise. In addition to incredible chases and challenging the laws of physics, the film brings dramatic support that improves the mix. Credit goes to director James Wan ('Aquaman'), who took over the franchise after Justin Lin's departure. Another addition is action star Jason Statham. This is also the last chapter of the series before the tragic death of Paul Walker, which carries even more emotion for fans.
Saw
Before James Wan was the creative mind behind 'The Conjuring', he scared viewers all over the world with the graphic and violent horror of 'Saw'. Starting one of the biggest franchises in the horror genre, this initial film introduces us to the routine and sadism of Jigsaw, a serial killer who creates almost impossible games for his victims to try and survive. It's one of those films that splatter blood across the screen and will turn the weakest of stomachs. Nevertheless, it is still a different and entertaining form of entertainment. You just have to look at it with different eyes.
Aquaman
This long feature is a darker and more bad-boy-visual re-enacting of Aquaman, done by Zack Snyder in 'Batman vs. Superman', who cast Jason Momoa (Khal Drogo from 'Game of Thrones') for the role, but recovers elements from a more recent phase of the character in the comics to bring color and humor. The result is a dynamic and energetic movie, which takes the hero back to Atlantis. Even though the story itself doesn't take advantage of the depth proposed at its beginning, getting lost in all the battles between characters, it should entertain those who look for an unpretentious action movie. The cast also features illustrious presences such as Nicole Kidman (who plays the mother of the titular character), Willem Dafoe, Patrick Wilson (the main villain, The Ocean Master) and Amber Heard.
Aquaman and the Lost Kingdom
This second chapter of the Aquaman saga, the superhero played by Jason Momoa, arrived in theaters with a sense of outdatedness – after all, the feature is part of the old DC expanded universe, while James Gunn prepares new films, with other actors, for a new phase of the studio. In the story, Aquaman must forge an unlikely alliance with King Orm (Patrick Wilson) when an ancient power is unleashed that begins to threaten Atlantis and the rest of the world with irreversible devastation. James Wan (The Conjuring) has good insights in action scenes with creative camera movements, taking advantage mainly of the good dynamic between Momoa and Wilson, bringing back the mix of humor and action. None of this overlooks the musty smell that the film carries, as it is part of a already dead universe, and it doesn't make Aquaman 2 seem to make sense for a franchise of films very loaded in that aspect of being "sharable". There is no future. But at least, there is a thread of fun here, which should be the last moment for fans of this defunct universe to peek at what this franchise could still be.
Horror
The Nightman
The Nightman a dramatic thriller that explores the dangerous boundary between love and darkness. The story follows a young pregnant woman who begins to question the perfection of her boyfriend upon discovering his possible involvement in mysterious disappearances and murders, linked to his sleepwalking behavior. With praised performances and precise direction, the film delves into complex themes of relationships and personal dilemmas, keeping the audience engaged in its dark suspense.
Abigail
Abigail demonstrates why we should keep an eye on the director duo Matt Bettinelli-Olpin and Tyler Gillett, especially when they have original material at their disposal (they also directed Scream 5 and 6, with mixed results). Abigail is a film that manages to balance the terror and tragedy of its characters with the absurdity of its premise, thanks to a clever script that plays with the conventions of vampire literature, careful direction, and a phenomenal cast (led by Mexican actress Melissa Barrera and Dan Stevens) that fully utilizes their roles. The plot follows a group of kidnappers tasked with a delicate job: to kidnap a millionaire's daughter for ransom. However, it all turns out to be a trap: beneath the guise of a 12-year-old girl, the victim is actually an ancient vampire who likes to play with her food. Like Ready or Not in its time, this film is self-aware, pushing its story and violence to the most absurd and fun limits without falling into self-parody. It won’t change the history of horror cinema, but it’s an excellent (and even stylish for a film of its genre, I dare say) choice for a fun time at the movies with friends.
28 Days Later
Twenty-eight days after a killer virus was accidentally unleashed from a British research facility, a small group of London survivors are caught in a desperate struggle to protect themselves from the infected. Carried by animals and humans, the virus turns those it infects into homicidal maniacs – and it’s absolutely impossible to contain.
The Jack in the Box Rises
When Raven is sent to an all-girls boarding school, she unleashes a demon from a mysterious vintage jack-in-the-box hidden on the school grounds. Will the students make it out alive, or will the demon claim the victims it requires to remain alive?
