Why watch this film?
"What is life like for a flight attendant in a low-cost airline? That is the story of 'Rien à foutre', a film by the duo Emmanuel Marre and Julie Lecoustre that shows the day to day of Cassandre (Adèle Exarchopoulos) on the plane while she runs away from problems with her family and the lack of any real relationship - be it with friends or romantic interests. With excellent acting from the French actress, the film still finds space to reflect on the precariousness of services and how people are affected in these processes. A good French drama that should captivate and move."

Filmelier
Our suggestions
With Adèle Exarchopoulos (Palm d'Or at Cannes). A flight attendant lives between travel and social media, while dealing with false smiles in the plastic world of cheap airlines, until she loses her job and has to return home.
To share
Do you want to watch something different?
Watch full movies now!
Press play and be surprised!
Where to watch?
Soon at your home
Drama

Maestro
When you sit down to watch Maestro, it's natural to expect a biographical film about Leonard Bernstein, the talented and complex conductor portrayed by Bradley Cooper – who also directs. However, what unfolds in the plot is not something like a typical biopic, but rather a nuanced film about the love between Bernstein and Felicia Montealegre (Carey Mulligan). Slow and contemplative, the feature avoids the pitfalls of turning this story into a melodrama in the style of Marriage Story, subtly presenting the emotions. On the contrary, Cooper leaves much implied so that we, the audience, can feel what is happening and not just observe. Therefore, it's a film that demands a lot from the audience, requiring them to engage with the concept and not find it merely monotonous.
Leave the World Behind
A family's vacation in a luxurious home takes a turn for the worse when a cyberattack affects all their devices and two strange people knock on the door.

Totem
When it comes to personal pain, Mexican cinema tends to lean too much towards exaggerated melodrama, or towards the most mediocre miserabilism. With Totem, Mexican filmmaker Lila Avilés (awarded at the Morelia Film Festival for both this film and The Chambermaid) reminds us that there is another path: one of understanding, acceptance, and feeling. This is precisely what she invites us to do through the story of Sol (Naíma Sentíes), a little girl who gathers with her family to celebrate her father's birthday (Mateo García), who is too ill to attend the party. With great scriptwriting and a camera that is both furtive and complicit, Avilés' gaze infiltrates the bittersweet intimacy of a family united by imminent pain, gradually revealing, with compassion, the ways in which each person faces it.

Toll
Suellen, a toll booth attendant, uses her job to help a gang of thieves steal watches so that she can afford to send her son to a gay conversion workshop.
