Confessions of a Brazilian Call Girl (2014)
Confessions of a Brazilian Call Girl
”A middle-class girl becomes a famous prostitute blogger.”
Plot summary
Confessions of a Brazilian Call Girl tells the story of young Raquel, daughter of a middle class family, who one day runs away from home and makes an astonishing decision: she’ll be a prostitute. In little time Raquel becomes Bruna Surfer Girl, a national celebrity who blogs about her salacious daily life.
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Men Are from Mars... And That's Where I'm Going!
"Men Are from Mars... And That's Where I'm Going!" is a romantic comedy directed by Marcus Baldini that follows the story of Fernanda, a single businesswoman in her thirties, and her continuous quest to find the one man she is meant to marry. The movie takes us through her journey of dating different men, each with their own quirks and flaws, as she tries to navigate the complexities of modern relationships. The film is a lighthearted take on the challenges of finding love in today's world. The performances by the cast are commendable, with standout performances by the lead actress and the supporting cast. The humor in the movie is subtle yet effective, and the script is well-written, with relatable dialogue that captures the essence of modern-day relationships.Overall, "Men Are from Mars... And That's Where I'm Going!" is an enjoyable romantic comedy that will leave you with a smile on your face. While it may not break any new ground in the genre, it is a well-crafted movie that will appeal to fans of romantic comedies. If you are looking for a feel-good movie to watch on a lazy afternoon, this is definitely worth a watch.
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Underdog
In its effort to raise awareness about the precarious social reality of certain sectors of the population, Mexican cinema tends to fall into miserabilism (or so-called "poverty porn"), whether in documentaries or fiction. The quest of Mexican cinema for new creative and narrative horizons is ongoing, and in the case of Underdog (Correr para vivir), director and co-writer Gerardo Dorantes opts for what, in its conventions, is an action and crime thriller extrapolated to the context of the Rarámuri (or Tarahumara) indigenous people of northern Mexico, famous for their running tradition (and their extraordinary talent for it). The plot follows two brothers: Omero (Vladimir Rivera), who dreams of being a runner; and Capó (Manuel Cruz Vivas), who is more talented but also troubled. Both are dragged into a life of service to the drug trade when Capó, in an attempt to provide for his pregnant girlfriend, fails in a cocaine delivery. To be honest, it's a good attempt to steer Mexican cinema towards other directions that are not the typical exploitation of social dramas or anthropological documentaries. However, the film ends up falling into the same vices, representing Rarámuri culture from a superficial and idealized exoticism, creating entertainment from a real social context with little sensitivity.
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'Downtown Owl' - Searching for a break from her cosmopolitan life in Milwaukee, Julia Rabia (Lily Rabe), arrives in the closeknit Reagan-era town of Owl, North Dakota for a one-semester high school teaching job. But when the small town turns out to be a wonderland of second-string poets, smoldering Marlboro Men, and a social hierarchy that echoes high school, Julia doesn't know if she's come to town to get away from home or to find it. Ed Harris, Vanessa Hudgens, Henry Golding, and Finn Wittrock also star in this Great Plains dark dramedy directed by Lily Rabe and Hamish Linklater. Based on the novel by Chuck Klosterman.
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After his release from a juvenile center, Wellington finds himself homeless in São Paulo. At a porn theater, he meets Ronaldo, who mentors him in street survival. Their bond evolves into a turbulent affair.
