Plot summary
12-year-old Bailey lives with her single dad Bug and brother Hunter in a squat in North Kent. Bug doesn’t have much time for his kids, and Bailey, who is approaching puberty, seeks attention and adventure elsewhere.
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![Cow](https://media.filmelier.com/tit/Mv6TIQ/thumb/cow_qVE6Pqw.jpeg)
Cow
"Cow" could easily fall into the propaganda film category - those movies that just spew out shocking opinions to sensitize the audience without anything concrete. However, nothing of the sort. With a simple premise, filmmaker Andrea Arnold ("American Honey") takes her camera and follows the life of Luma, a Dutch dairy cow somewhere in the UK. Right at the beginning of the feature, the friendly cow has her first calf - a little calf that is quickly taken away from its mother. From there, the filmmaker shows two paths: on one side, the loneliness and painful routine of Luma; on the other, the first steps of the calf in the life of this dairy farm. Thus, "Cow" begins to delve into the routine of abuses that this farm promotes. There is a feeling that things happen even with care for those animals - the farmers listen to music, call the cows by name and not by numbers, and so on. But it still remains an environment of animal exploitation. The protagonist cow, Luma, cannot stay with her calf. She has no control over her life, her desires and body, her needs. It is a hard and painful movie, difficult to watch, and it gives you an almost immediate melancholy. So, here's a warning of sensitive content: if you don't like seeing animals suffer or things like that, it's better to stay away - despite the urgent message.
Drama
![We Live in Time](https://media.filmelier.com/tit/d8l7bw/thumb/we-live-in-time_4T10r3I.jpeg)
We Live in Time
Almut finds her life forever changed by a chance encounter with Tobias, a recent divorcé. But after falling for each other, building a home, and starting a family, a difficult truth is revealed.
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Bonnard: Pierre & Marthe
Based on the true story of renowned French painter Pierre Bonnard and his muse and wife, Marthe. Through delicate brushstrokes and vibrant colors, Bonnard immortalized her beauty and the essence of her soul in his art.
![The Peasants](https://media.filmelier.com/tit/P39qx1/thumb/the-peasants_DVNPwyY.jpeg)
The Peasants
The Peasants is an animated film by the same directors of Loving Vincent, using the same innovative technique, which could be described as "oil-painted rotoscopy". Based on the Nobel Prize-winning novel The Peasants (1904) by Władysław Reymont, it's a tale of desire and revenge told in four episodes, one for each season of the year. The story, set in Poland at the turn of the 20th century, follows a young peasant woman who wreaks havoc by marrying an older, wealthy man, whose son also desires her, despite being married. It is a powerful and bleak, although conventional tale about violence and misogyny, somewhat overshadowed by its beautiful and prodigious visual execution.
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Suite Française
Set in France during 1940, Suite Française follows beautiful Lucile Angellier who awaits news from her husband, a prisoner of war, whilst leading a stifled existence with her mean, controlling mother-in-law. When Parisian refugees pour into their small town, soon followed by a regiment of German soldiers who take up residence in the villagers' homes, Lucile’s life is turned upside down. In the Angellier home, Lucile initially tries to ignore Bruno, the handsome and refined German officer who has been posted to live with them. But soon, a powerful love draws them together and traps them in the tragedy of war.
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