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Why watch this film?
Based on the Broadway musical of the same name (inspired in turn, obviously, by "Romeo and Juliet"), "Love Without Barriers" fits into the same line as the golden age of Hollywood musicals from the mid-20th century, and is one of the most famous in history, with all the visual and auditory spectacularity that characterizes them. Better known as "West Side Story", it still holds the record for the musical with the most wins at the Oscars, taking home ten statues out of its eleven nominations (including Best Picture).

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One romance that dared to cross the line. In 1961, this movie adaptation of the Broadway smash-hit musical West Side Story broke box office records and won an incredible 10 Academy Awards, more than any other musical before or since. On the streets of New York City, two gangs battle for territory and respect. But when Tony, the leader of the Jets, falls in love with Maria, the sister of Sharks leader Bernardo, a chain of events is set in motion that will tear their worlds apart forever.
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The Day the Earth Stood Still
"The Day the Earth Stood Still helped build the pillars of alien invasion plots. With a simple and direct story, unlike the 2008 remake, the movie is a powerful metaphor about people's reaction to the different, the foreign, the unexpected -- something that still holds true even decades later, with xenophobic movements running around the world. All this through the journey of an alien who arrives on Earth, on a mission of peace, but ends up being received with suspicion, fear and ulterior motives. It is also worth noting the visionary direction of Robert Wise (from the beautiful 'Love, Sublime Love'), who knew how to blend effects with a more raw and grounded direction. An essential classic."
Drama

Totem
When it comes to personal pain, Mexican cinema tends to lean too much towards exaggerated melodrama, or towards the most mediocre miserabilism. With Totem, Mexican filmmaker Lila Avilés (awarded at the Morelia Film Festival for both this film and The Chambermaid) reminds us that there is another path: one of understanding, acceptance, and feeling. This is precisely what she invites us to do through the story of Sol (Naíma Sentíes), a little girl who gathers with her family to celebrate her father's birthday (Mateo García), who is too ill to attend the party. With great scriptwriting and a camera that is both furtive and complicit, Avilés' gaze infiltrates the bittersweet intimacy of a family united by imminent pain, gradually revealing, with compassion, the ways in which each person faces it.

Toll
Suellen, a toll booth attendant, uses her job to help a gang of thieves steal watches so that she can afford to send her son to a gay conversion workshop.

Hard Days
Between Christmas and New Year's Eve, on December 29th, detective Yuji Kudo drives his car to visit his mother, who is hospitalized with a serious health problem. On the way, he receives a call from the commissioner inquiring about his involvement in the creation of a secret fund, just as he learns that his mother has passed away. Yuji then accidentally hits a man with his car, who dies instantly. It's at this point that the protagonist, in the hospital, tries to cover up the death of the man he ran over by placing his corpse in his mother's coffin. Hard Days, an unlikely Japanese dramatic thriller, depicts the consequences of Yuji's decision, as he grapples with a series of mistakes stemming from his bizarre choices while under investigation. With a strange and tense, yet emotional atmosphere, the feature showcases the skill of filmmaker Michihito Fujii, who knows how to blend genres in a film full of improbabilities but true.

Monster
With films like Shoplifters and Broker (among many others), Japanese filmmaker Hirokazu Kore-eda is a master at telling stories of complex morality, where the truth is never simple, and answers navigate through all shades of gray. Monster is another great demonstration of this (the film won Best Screenplay at the Cannes Film Festival 2023). Its plot begins with a mother concerned about her son's strange recent behavior, and after investigating, she begins to fear that he is being abused by a school teacher. However, as the plot unfolds, we witness all the elements that complicate and entangle the truth hidden behind. Monster is the kind of film that deeply moves and invites reflection on the ways we relate to—and judge—those around us.
