Trailer
Why watch this film?
'Ferris Bueller's Day Off' is a classic from the 80s starring Matthew Broderick. It's fun, silly, and sure to make anyone smile! With a great soundtrack and a unique narrative compared to other films of the same era, this is a great pick for those looking for something to watch with the family.
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Filmelier
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Plot summary
A high school wise guy is determined to have a day off from school, despite what the Principal thinks of that.
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From the same director
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Sixteen Candles
John Hughes, the filmmaker and screenwriter, was one of the most interesting voices to talk about adolescence in the 1980s, reaching the peak of his career with 'The Breakfast Club' and 'Ferris Bueller's Day Off'. However, in addition to these two, he was also the director and screenwriter of 'Sixteen Candles', a less known feature film by Hughes, but which also makes an interesting overview of youth in the eighties. After all, here the viewer is invited to spend a day in the life of Samantha, a young woman who has just turned 16 and whose birthday has been forgotten by her relatives. The feeling of being "left out" is amplified, too, as her crush at school is dating a much prettier girl. It is the cue for a narrative full of ups and downs, adolescent dilemmas and love sufferings. But it is worth noting: among Hughes' films, this is the one that has aged the worst. After all, there are traces of xenophobia and misogyny, as well as an incitement to rape. To watch thinking and reflecting on important social changes.
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The Breakfast Club
One of John Hughes' most iconic films, 'The Breakfast Club' has become one of the most remembered movies when we talk about school friendships. After all, with a delicious and typical afternoon session plot, the feature film shows the bonds that are created in a dysfunctional group - and with very different people - who come together in the emptiness of detention. The songs, always well selected by Hughes, give a show apart, as well as the remarkable performance of Molly Ringwald (recently seen in 'Kissing Booth'), which established itself as one of the main names of teenage productions. To watch and review always, preferably in a double 'Ferris Bueller's Day Off', good movie by John Hughes.
Comedy
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Eugenia was cut off by her boyfriend, she lost her job, her roomie left and her dog escaped. Now she has a plan: Reinvent herself and recover what was lost.
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After a failed comeback album, rock star John Allman escapes to a dreamy Mediterranean island, only to discover that his new cliffside home has an unfortunate notoriety that attracts unwanted visitors and an old flame.
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Outsider Girls (original Spanish title: Las demás) is the feature film debut of Chilean filmmaker Alexandra Hyland as both director and screenwriter, and its art direction, music, editing, and staging, as well as its context and themes, embody a spirit that can only be described as "punk." The plot follows two best friends from university, whose lives are turned upside down when one of them becomes pregnant. Together, they embark on a quest to obtain an abortion in a country where it is still illegal. This is a great comedy that, in a carefree tone, without prejudice but also without concessions, highlights the hypocrisies of social, cultural, and political life in Chile, echoing experiences in other regions of Latin America.
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Directed, written, and starred by Salvadoran comedian Julio Torres (Los Espookys), Problemista is a comedy that presents an absurd premise and doesn't worry about its credibility, and instead embraces its ridiculousness and runs with it. Set in an unspecified time in New York, Álex (Torres) aspires to be a toy inventor at Hasbro, with ideas as absurd as Barbies with crossed fingers or Cabbage Patch dolls with cellphones. To make ends meet, he works at a cryogenization clinic that freezes patients to wake up in the future (although there's no certainty that such technology will exist). When he is fired, he takes a job as an assistant to the neurotic Elizabeth (Tilda Swinton at her finest), who harbors the unreal idea of curating an exhibition of her artist husband's paintings, one of the frozen patients. With a production design that indulges in camp (closer to Roger Waters than to Pedro Almodóvar), using cheap costumes and ridiculous digital special effects, Torres builds a surreal and amusing atmosphere that satirizes the twisted difficulties of living in the United States (especially for Latin immigrants), the banal and stupid egocentrism of the cultural elites, and the absurdity of corporatism. Its eccentricity may repel some, but if you approach it on these terms, you'll leave the cinema having seen something truly unique.
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