Why watch this film?
Fun, witty, and full of references, this short collaboration between The Simpsons and Star Wars, produced for the commemorative date of May 4th (Star Wars Day) can please everyone. No knowledge of the franchise is necessary to enjoy this little story, but fans and aficionados will thrill at the various references, jokes, characters, and situations created. A great fun for all, children and adults alike, it's a shame they didn't make a longer short.
![Filmelier](https://media.filmelier.com/images/curadores/imagem/6560fa8b2d992d63beae7cd4cf0bc9b8.png)
Filmelier
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Plot summary
In a daycare far, far away… but still in Springfield, Maggie is on an epic quest for her stolen pacifier. Her adventure brings her face-to-face with young Padawans, Sith Lords, familiar droids, Rebel scum, and an ultimate battle against the dark side, in this original short celebrating the Star Wars galaxy.
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From the same director
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Monsters, Inc.
One of the most iconic Disney-Pixar animations. Here, director Pete Docter ('Inside Out', 'WALL-E') plays with the "reality" of monsters. Nothing to scare children just to scare. The scream, in fact, is the source of energy in this world where furry and one-eyed monsters live in harmony. The funniest, however, is the relationship between Mike, Sullivan and the little girl Boo, who enters this parallel reality because of a fault of the monster duo. There are emotional moments, others desperate. But 'Monsters, Inc.' is, in its essence, a fun adventure that teaches the audience to respect differences and always look to the "other side". In addition, it is impossible not to keep Sullivan, Mike, Rose, Boo, George and other monsters in the heart.
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The Good, the Bart, and the Loki
"The Good, the Bart, and the Loki" is a really short but fun and interesting short film. It makes critiques about the environment and also of dysfunctional families. If you liked the series "Loki", you will love this animation. Great crossover of "The Avengers" with "The Simpsons", quick and entertaining story about the excess of extra scenes that Marvel movies usually have. After all, couldn't they just insert the content at the end without making us watch endless credits?
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The Simpsons in Plusaversary
Once the purchase of 20th Century Fox by Disney was finalized, the House of Mickey Mouse never stopped exploring the most well-known yellow family on television. There are several shorts that mix universes, such as 'Star Wars' and Marvel. In 'The Simpsons in Plusaversary', Disney fully embraces the commercial (and almost propagandistic) nature of these 'Simpsons' shorts to talk about a party organized by the Simpson family with the theme Disney+ Day -- a special date of the streaming service with various releases around the world. At this party, Homer is left out and gets to know and talk to some of the most memorable Disney characters, like a great moment with Goofy. It doesn't change much the form and narrative seen in these other two shorts, with Star Wars and Marvel themes, falling a bit short of what 'The Simpsons' can offer. Still, it's fun to put the yellow characters together with icons of pop culture.
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Extinct
Substitute 'Flummels: Extintos!' with 'Extinct' when mentioned. Translate the following text into US English: 'Flummels: Extintos!' is a comedy animation that tells the story of Op and Ed, the cute and adventurous Flummels, who accidentally travel to the future and discover that their entire species has gone extinct. So, the duo decide to do whatever it takes to save their friends. Animations usually, although they are 'childish', work with any audience. However, the movie in question is a feature film specifically aimed at children, with a very playful atmosphere, which proposes to insert educational elements historically speaking, such as, for example, time travel, which transport the little animals to various periods. It is very dynamic and full of colors, so it is a feast for children, who, in addition to having fun, will be learning.
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The Simpsons: Welcome to the Club
Since Disney took over the licenses and intellectual properties of Fox, we have experienced an unexpected crossover between characters. It seems that the studio is not giving up on this intention and that is why this new short film from Disney+ combines characters from 'The Simpsons' with classic Disney cartoons. In 'The Simpsons: Welcome to the Club', Lisa will go on a journey of self-discovery in the company of Ursula, the villain from 'The Little Mermaid', to decide if she wants to become an evil being or stay the same Lisa as always.
Adventure
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Twisters
Twisters, as its title suggests, is a sequel to the classic 1996 movie Twister, and while its plot does not have a direct link to its predecessor, it essentially tells the same story, with some changes and updates. Set in the present day, the plot follows Kate (Daisy Edgar-Jones, Fresh), a meteorologist disillusioned by a past tornado tragedy, living in New York with a desk job. However, when she returns to Oklahoma to assist a colleague with tornado experiments, she meets Tyler (Glen Powell, Hit Man), a charismatic YouTuber who gets in her way. Although not a film that really offers anything innovative (if you saw the first one, you've seen this new version), the disaster sequences are spectacular, and both Edgar-Jones and Powell deliver excellent, emotive, and fun performances.
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The Imaginary
The Imaginary is a Japanese film featuring hand-drawn animation by Studio Ponoc, founded by producer and screenwriter Yoshiaki Nishimura (known for Mary and The Witch's Flower) after leaving Studio Ghibli following the production of The Secret World of Arrietty. The plot follows Rudger, a boy imagined by a girl named Amanda. One day, Rudger gets lost and ends up in the City of Imaginaries, home to all the imaginary friends who are being forgotten by their children. Meanwhile, Amanda embarks on an adventure to find him. It is a beautiful story about the loss of innocence to reality and the power of imagination, which also stands out for its hand-drawn animation. Conceptually, it resembles its Hollywood contemporary IF, though truth be told, this film is more imaginative and coherent. A must-watch, especially if you are a fan of Japanese animation and are interested in discovering new names—and studios—dedicated to it.
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Planet of the Apes
For fans of the 1968 classic Planet of the Apes, disappointed by the declining quality of its four sequels, this Tim Burton-directed remake was a source of much excitement. Eventually, it was also frustration. The film, despite its excellent makeup, production design, visual effects, and a cast with names like Tim Roth, Helena Bonham Carter, and Michael Clarke Duncan, didn't exactly live up to the lofty ideas of its original, and changed several elements of the narrative although he rescued or adapted others that were too iconic (the ending, although different, maintains the same idea). It is, at its best, an interesting interpretation of a classic, through the unique lens of Burton and his penchant for B-movie sci-fi.
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Gasoline Rainbow
Gasoline Rainbow, a film selected at festivals like SXSW and Venice, is directed by brothers Bill and Turner Ross, who often blur the lines between documentary and fiction. This story is about five teenage friends from a small Oregon town who, with no major plans and school behind them, decide to embark on a journey in an old van to a place they have never been: the Pacific beach. Cheerful and optimistic, it is a portrait of Generation Z's ideals and attitudes, where the destination is not as important as the journey and the people we meet along the way.
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