Men
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Men (2022)
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Why watch this film?
In 2014, filmmaker Alex Garland became a kind of sensation among cinephiles because of 'Ex Machina', an intelligent feature film about technology, artificial intelligence and the advancement of machines. However, afterwards, the British director was unable to repeat the feat with 'Annihilation'. Thus, 'Men' becomes a defining film in his career. The plot follows the story of Harper (Jessie Buckley), a woman who has just gone through a traumatic experience: not only did she have an abusive relationship, but she also saw her husband die right in front of her. In search of solutions, she rents a house in the English countryside looking for a little more peace and, who knows, forgetting these events. 'Men' starts off very well: not only is Buckley ('I'm Thinking of Ending Things') really good in this surrealistic character, trying to deal with traumas while everyone around her works against this overcoming. The scenes with Rory Kinnear ('The Imitation Game') help to further boost the good initial experience with the feature film. In addition, Garland creates an interesting atmosphere of terror. Not only by the game of green and red colors, contrasting the sensations according to the environments in which Harper is, but also by interesting light games and scary visual jokes. The mysterious and naked man who appears at the beginning creates some truly terrifying scenes. However, gradually, it embraces the same tone adopted in 'Annihilation': surrealism mixed with a social story about machismo and abusive relationships, while signs sprinkle the plot and make it difficult to understand. A movie that should leave people on edge.
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In this new feverish horror from filmmaker Alex Garland, a woman travels to the English countryside after a personal tragedy. Gradually the village becomes more and more strange and her rest becomes a nightmare of her darkest memories and fears.
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From the same director
Annihilation
'Annihilation' is worthy of merit for its mix of genres: science fiction, horror, drama, and adventure all come together in a production with a great cast, including names like Natalie Portman and Oscar Isaac, for example. Ambitious, the film bears the signature of Alex Garland (of 'Ex Machina: Artificial Instinct') and succeeds in delivering an interesting visual and good scares, as well as taking the audience on the proposed adventure. Perhaps what is lacking is a greater development of the characters and the screenplay itself. Even so, it deserves to be seen by fans of this type of feature film.
Ex Machina
Provocative, creative and intriguing, 'Ex Machina' is one of those productions that makes the viewer think from start to finish. More specifically, about the paths of technology. After all, filmmaker Alex Garland plays with the meaning of life by telling the story of an employee of a large technology company (Domhnall Gleeson) who will spend a few days at his boss's house (Oscar Isaac). The reason? Test a new artificial intelligence (Alicia Vikander). In a much deeper way than 'Her' did, for example, the feature film brings an existentialist debate that goes back to the very creation of humanity. What are the limits of artificial intelligence? Should we have ethics with machines? How to deal with these almost human robotic beings? These are some of the questions Gibney raises, without almost ever answering, instigating the audience from start to finish.
Horror
The Curse of Audrey Earnshaw
The Curse of Audrey Earnshaw is a contemporary take on folk horror about a beautiful young woman and her domineering mother, occultists living in secret among a devoutly Protestant village, and who are accused of witchcraft when an unknown plague begins to ravage the inhabitants. Despite some narrative meandering, the performances and genuinely chilling atmosphere make this a modestly budgeted but highly enjoyable horror for genre fans.
The Boogeyman
Directed by Rob Savage (of the excellent Beware Who You Call) The Boogeyman is another movie that uses a monster to talk about a family in mourning. Will Harper (Chris Messina) is father to two girls, the young Sawyer (Vivien Lyra Blair) and the independent Sadie (Sophie Thatcher). And they are not in the best of times: their mother has just died and the family's days have become gloomy. That's where the monster, who is nothing more than a folkloric creature personifying fear, comes in. It's in the darkness, in the closet of the room, in the damp corner of the wall. The first 20 to 25 minutes of The Boogeyman are desperate: Savage shows mastery of the camera and the atmosphere, giving fear at every turn, every light that goes out, every moment that Sawyer decides to take a look under the bed. Then it ends up turning into a kind of generic Babadook, without much life. But even so, it can be a fun horror movie that, when seen with friends, can generate scares and laughter.
The Black Demon
Oilman Paul Sturges idyllic family vacation turns into a nightmare when they encounter a ferocious megalodon shark that will stop at nothing to protect its territory. Stranded and under constant attack, Paul and his family must somehow find a way to get his family back to shore alive before it strikes again in this epic battle between humans and nature.
Tin & Tina
Feature film debut from Spanish director Rubin Stein, who had already made a short film with the same title and theme. Tin & Tina is a horror thriller with macabre touches of comedy, which begins with the tragic miscarriage suffered by Lola (Milena Smit, Parallel Mothers) on her wedding day. Having lost her faith, she tries to regain it by attending a convent with her husband (Jaime Lorente, Elite), where they end up adopting two charming twins. However, the ultra-religious upbringing of the children turns into dangerous games that lead the couple into a destructive spiral. Tin & Tina is a film that, oscillating between horror and satire, highlights the contradictions of ideas such as sin and goodness, in the simplistic and fanatical interpretations of religion.
