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Why watch this film?
Released at a time when actors' and writers' unions are squarely opposed to the use of artificial intelligence in their workplaces, The Creator seems like a fish out of water, a film released at an inconvenient time. After all, Gareth Edwards' (Godzilla and Rogue One) feature film talks about a time when humans share space with highly advanced artificial intelligence robots. Is it a new Blade Runner? Not quite. As Joshua (John David Washington) grows fond of the small Alphie (Madeleine Yuna Voyles), an extremely advanced robot, Edwards questions whether the robots are exactly like Robocop and Terminator or, on the other hand, like A.I. - Artificial Intelligence. These are good reflections in an excessively long movie but once again show how the director and writer knows how to tell good stories and create impactful worlds.

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Amid a future war between the human race and the forces of artificial intelligence, Joshua, a hardened ex-special forces agent grieving the disappearance of his wife, is recruited to hunt down and kill the Creator, the elusive architect of advanced AI who has developed a mysterious weapon with the power to end the war-and mankind itself.
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From the same director

Godzilla
Whether as a symbol of nuclear catastrophe or as an icon of popular culture in cinematic battles between giant monsters, Godzilla is one of the most recognizable and beloved characters of Japanese popular culture imagination... and the 1999 American adaptation did nothing more than turn him into a giant iguana. But in 'Godzilla', the new American adaptation, it seeks to return to its roots without neglecting the spectacular and human drama at its basic level. This last one is not totally well written - despite the impeccable efforts of Aaron Taylor-Johnson, Elizabeth Olsen, Bryan Cranston, Juliette Binoche and Ken Watanabe in the execution - but fans of the "King of Monsters" will certainly remain satisfied with a protagonist beast closer to the original aspect, but of titanic proportions suitable for our time, and thought of as a metaphorical and amoral response of nature to uncontrolled human expansion.

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