Trailer
Plot summary
Florence wants to introduce David, the man she’s madly in love with, to her father Guillaume. But David isn’t attracted to Florence and wants to throw her into the arms of his friend Willy. The four characters meet in a restaurant in the middle of nowhere.
To share
Do you want to watch something different?
Watch full movies now!
Press play and be surprised!
Where to watch?
Soon in theaters
From the same director
![Keep an Eye Out](https://media.filmelier.com/images/filmes/thumb/au-poste77959.jpeg)
Keep an Eye Out
From the French DJ-turned-absurdist filmmaker Quentin Dupieux comes this strange comedy of black humor, a mix of genius and foolishness, as almost all the action takes place in the interrogation room of a police station. 'In the Station' is an offbeat experiment in French (and world) cinema that might just convince you to watch for one reason: it's only 73 minutes long.
![Wrong](https://media.filmelier.com/images/filmes/thumb/wrong1782.jpeg)
Wrong
A movie that has the strange and peculiar as its great characteristics. That's what makes 'WRONG' something unique.
![Deerskin](https://media.filmelier.com/tit/IbA4vZ/thumb/deerskin_POw503o.jpeg)
Deerskin
"Le Daim" couldn't be a stranger movie -- and that's what makes it so fascinating. After all, director Quentin Dupieux (of the equally strange "Réalité" and "Rubber") follows here the story of a man obsessed with buying a deerskin jacket that costs him all his savings. From there, Jean Dujardin's character (from the award-winning "The Artist") enters a spiral of madness and obsession, setting the tone and rhythm of the film. Although "Estilo Matador" doesn't have the same degree of bizarreness as the telepathic tire of "Rubber", the feature film plays with the limits of narrative and constantly challenges the viewer to embark, along with the protagonist, in this moment of insanity. In addition to Dujardin, highlight the performance of Adele Haenel ("Portrait of a Young Woman on Fire"), who leaves her usual roles to play an eccentric character.
![Reality](https://media.filmelier.com/images/filmes/thumb/realite42073.jpeg)
Reality
This movie doesn't make sense. Relax, in this case that's not a flaw - director Quentin Dupieux (of 'Wrong' and 'Rubber, the Killer Tire') wrote and directed a work that, at the same time, makes a curious critical analysis of the film industry while not taking itself too seriously, without the traditional bounds that exist when telling a story. Watch unarmed and expect a different language. If you follow these advises, you'll surely find a strange (and good) entertainment in this feature film.
![Yannick](https://media.filmelier.com/tit/T8TtPA/thumb/yannick_6w85ZXc.jpeg)
Yannick
French filmmaker Quentin Dupieux is known for his films with storylines as insane as they are provocative and ridiculous: a tire that comes to life (Rubber), men obsessed with deer leather jackets (Deerskin), a trash parody of Japanese superheroes (Smoking Causes Coughing). In Yannick, the director returns to his twisted humor to tell the story of the titular security guard (Raphaël Quenard). One day, he goes to the theater to see the play Le Cocu, but unsatisfied with it, he decides to take the entire theater hostage, take ownership of the text, and rewrite it. Through its simple (yet very funny) humor, the film raises questions about ownership and expectations surrounding a work of art. Once made public, is its owner the author, the audience, or a combination of both?
Comedy
![Entra en mi vida](https://media.filmelier.com/tit/FsahBA/thumb/entra-en-mi-vida_rjWfBjA.jpeg)
Entra en mi vida
Eugenia was cut off by her boyfriend, she lost her job, her roomie left and her dog escaped. Now she has a plan: Reinvent herself and recover what was lost.
![Find Me Falling](https://media.filmelier.com/tit/Xh1Oi4/thumb/find-me-falling_D7fw1gQ.jpeg)
Find Me Falling
After a failed comeback album, rock star John Allman escapes to a dreamy Mediterranean island, only to discover that his new cliffside home has an unfortunate notoriety that attracts unwanted visitors and an old flame.
![Outsider Girls](https://media.filmelier.com/tit/cRSp4H/thumb/outsider-girls_gfUGunI.jpeg)
Outsider Girls
Outsider Girls (original Spanish title: Las demás) is the feature film debut of Chilean filmmaker Alexandra Hyland as both director and screenwriter, and its art direction, music, editing, and staging, as well as its context and themes, embody a spirit that can only be described as "punk." The plot follows two best friends from university, whose lives are turned upside down when one of them becomes pregnant. Together, they embark on a quest to obtain an abortion in a country where it is still illegal. This is a great comedy that, in a carefree tone, without prejudice but also without concessions, highlights the hypocrisies of social, cultural, and political life in Chile, echoing experiences in other regions of Latin America.
![Problemista](https://media.filmelier.com/tit/mc4yPG/thumb/problemista_fqYJkEg.jpeg)
Problemista
Directed, written, and starred by Salvadoran comedian Julio Torres (Los Espookys), Problemista is a comedy that presents an absurd premise and doesn't worry about its credibility, and instead embraces its ridiculousness and runs with it. Set in an unspecified time in New York, Álex (Torres) aspires to be a toy inventor at Hasbro, with ideas as absurd as Barbies with crossed fingers or Cabbage Patch dolls with cellphones. To make ends meet, he works at a cryogenization clinic that freezes patients to wake up in the future (although there's no certainty that such technology will exist). When he is fired, he takes a job as an assistant to the neurotic Elizabeth (Tilda Swinton at her finest), who harbors the unreal idea of curating an exhibition of her artist husband's paintings, one of the frozen patients. With a production design that indulges in camp (closer to Roger Waters than to Pedro Almodóvar), using cheap costumes and ridiculous digital special effects, Torres builds a surreal and amusing atmosphere that satirizes the twisted difficulties of living in the United States (especially for Latin immigrants), the banal and stupid egocentrism of the cultural elites, and the absurdity of corporatism. Its eccentricity may repel some, but if you approach it on these terms, you'll leave the cinema having seen something truly unique.
![My Spy: The Eternal City](https://media.filmelier.com/tit/pmTk2f/thumb/my-spy-the-eternal-city_Dnt4idI.jpeg)