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Why watch this film?
Adaptation of the young adult bestseller by Beth Reekles, 'Kissing Booth', this Netflix movie is a cute teen comedy, even though it's full of cliches. The feature still stars 80's teen star, Molly Ringwald, the eternal 'Pretty in Pink'. Recommended for anyone looking for an endearing and entertaining teen movie - a subgenre that is gaining new life on Netflix.
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Filmelier
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Plot summary
A high school student is forced to confront her secret crush at a kissing booth.
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Where to watch?
Available at home
From the same director
![The Kissing Booth 2](https://media.filmelier.com/tit/5Pqzwk/thumb/the-kissing-booth-2_WkvHHns.jpeg)
The Kissing Booth 2
Sequel to the 2018 Netflix hit 'The Kissing Booth 2' is a teen romantic comedy that adults who are fans of the genre will also enjoy. If you liked the first movie, you'll definitely love the sequel even more - especially for its improvement in normalizing sexist behavior, which was the main criticism when 'The Kissing Booth' was released. The story is much more about the importance of friendship than it is about romantic relationships. And for those who grew up watching John Hughes classics, Molly Ringwald makes a cameo, just like she did in the first movie.
![The Kissing Booth 3](https://media.filmelier.com/tit/14760/thumb/the-kissing-booth-3_lBdvIgI.jpeg)
The Kissing Booth 3
The adaptation of the book 'A Barraca do Beijo', released in 2018, was a huge success on Netflix and became a trilogy - in the literary universe there are 4 volumes. The last feature arrives to close Elle's journey, which started as an innocent teenager and became a woman throughout the three films. The third production will please the fans and the haters will continue to turn up their noses at the franchise - which, whether they like it or not, has conquered many people. 'The Kissing Booth 3' presents the same problems as the others, there are too many problems to be solved in less than two hours and this ends up leading to a lazy script, but that ends up fulfilling the function of a light story to kill time. The positive point is that, once again, it is difficult to leave the movie as soon as you start it. There is a good conclusion to the story and, certainly, it opens up space for a continuation, but following the books, Elle's journey has indeed come to an end. It is important to mention that this last feature adapts the last two books, so there were three and not four film productions.
Comedy
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Entra en mi vida
Eugenia was cut off by her boyfriend, she lost her job, her roomie left and her dog escaped. Now she has a plan: Reinvent herself and recover what was lost.
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Find Me Falling
After a failed comeback album, rock star John Allman escapes to a dreamy Mediterranean island, only to discover that his new cliffside home has an unfortunate notoriety that attracts unwanted visitors and an old flame.
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Outsider Girls
Outsider Girls (original Spanish title: Las demás) is the feature film debut of Chilean filmmaker Alexandra Hyland as both director and screenwriter, and its art direction, music, editing, and staging, as well as its context and themes, embody a spirit that can only be described as "punk." The plot follows two best friends from university, whose lives are turned upside down when one of them becomes pregnant. Together, they embark on a quest to obtain an abortion in a country where it is still illegal. This is a great comedy that, in a carefree tone, without prejudice but also without concessions, highlights the hypocrisies of social, cultural, and political life in Chile, echoing experiences in other regions of Latin America.
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Problemista
Directed, written, and starred by Salvadoran comedian Julio Torres (Los Espookys), Problemista is a comedy that presents an absurd premise and doesn't worry about its credibility, and instead embraces its ridiculousness and runs with it. Set in an unspecified time in New York, Álex (Torres) aspires to be a toy inventor at Hasbro, with ideas as absurd as Barbies with crossed fingers or Cabbage Patch dolls with cellphones. To make ends meet, he works at a cryogenization clinic that freezes patients to wake up in the future (although there's no certainty that such technology will exist). When he is fired, he takes a job as an assistant to the neurotic Elizabeth (Tilda Swinton at her finest), who harbors the unreal idea of curating an exhibition of her artist husband's paintings, one of the frozen patients. With a production design that indulges in camp (closer to Roger Waters than to Pedro Almodóvar), using cheap costumes and ridiculous digital special effects, Torres builds a surreal and amusing atmosphere that satirizes the twisted difficulties of living in the United States (especially for Latin immigrants), the banal and stupid egocentrism of the cultural elites, and the absurdity of corporatism. Its eccentricity may repel some, but if you approach it on these terms, you'll leave the cinema having seen something truly unique.
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