Trailer
Why watch this film?
This is a romantic comedy that has its funny moments, largely due to a star-studded cast including Tiffany Haddish ('Girls Trip') and Whoopi Goldberg (who needs no introduction, right?). Unfortunately, the end result is uninspired and confusing. It's worth it for the good laughs, thanks largely to the impeccable acting of the protagonists.
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Filmelier
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Plot summary
A woman is released from prison and reunites with her sister. She soon discovers that her sister is in an online relationship with a man who may not be what he seems.
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From the same director
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A Fall from Grace
This movie is written and directed by Tyler Perry, considered one of the most influential directors, producers, and actors in cinema, television, and theater in the United States (creator, among other things, of the character Madea and her long series of films). 'A Fall from Grace' follows the structure of a procedural thriller, so be prepared to witness an entire case from investigation (and the discovery of dark secrets) to the trial itself, in the style of the classic series 'Law & Order'. The cast is made up of stars such as Crystal Fox ('Big Little Lies'), Phylicia Rashad ('Creed') and Mehcad Brooks ('Supergirl'), among others, who present performances at the level of intensity required by the script.
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A Madea Homecoming
The successful comedian Tyler Perry returns here to Madea, a character who began her journey in theater in 1999 and who in 2005 got the cinematic version in 'Diary of a Mad Black Woman'. In 'A Madea Homecoming', which carries the exclusive Netflix seal, we follow the character preparing to receive the family at her grandson's graduation. Of course, Perry returns to play the lovable mama and also Joe. Again, the story guarantees good laughs with a fun script. If you want to watch something lively and light, this is the choice.
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A Jazzman's Blues
Tyler Perry, director of 'The Limit of Betrayal' and a very well-known actor from the Madea franchise, takes on the role here of bringing a period drama. Set in the American South after World War II, we follow a young black jazz musician in search of success. The film spans a period of 50 years, giving a deep dive into the tragic lives and situations that shape their lives. Perry does very well with the melodrama and creates a great involvement of the viewer. It is a dense and intriguing historical production.
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Mea Culpa
A psychological thriller by Tyler Perry (director of A Fall From Grace and the Madea films). Mea Culpa follows an ambitious criminal defense lawyer (Kelly Rowland, former member of Destiny’s Child) who takes on the controversial case of a charismatic artist (Trevante Rhodes, Moonlight) accused of murdering his girlfriend. However, as she delves into his world, his case, and his life, the lines between professionalism, friendship, and eroticism begin to blur, with fatal consequences. Although at times it aspires to the status of old erotic thrillers from the '80s and '90s (it even seems like an inverted version of Basic Instinct or Fatal Attraction), it doesn't reach those levels. However, if you're looking for something in that style, Mea Culpa might be for you.
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Tyler Perry’s Divorce in the Black
Divorce in the Black is a film that follows the style of all the productions written and directed by filmmaker and producer Tyler Perry. It's a soap opera-like style, with many ups and downs, slightly exaggerated performances, and situations that leave you questioning the paths of that story. Here, Ava, a young banker, is devastated when her husband abandons their marriage. She is determined to fight until fate intervenes, revealing the wicked acts that once sabotaged Ava's destiny to connect with her soulmate. A suspenseful drama with Perry's signature, with all the flaws and hits we've seen in his productions.
Comedy
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Entra en mi vida
Eugenia was cut off by her boyfriend, she lost her job, her roomie left and her dog escaped. Now she has a plan: Reinvent herself and recover what was lost.
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Find Me Falling
After a failed comeback album, rock star John Allman escapes to a dreamy Mediterranean island, only to discover that his new cliffside home has an unfortunate notoriety that attracts unwanted visitors and an old flame.
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Outsider Girls
Outsider Girls (original Spanish title: Las demás) is the feature film debut of Chilean filmmaker Alexandra Hyland as both director and screenwriter, and its art direction, music, editing, and staging, as well as its context and themes, embody a spirit that can only be described as "punk." The plot follows two best friends from university, whose lives are turned upside down when one of them becomes pregnant. Together, they embark on a quest to obtain an abortion in a country where it is still illegal. This is a great comedy that, in a carefree tone, without prejudice but also without concessions, highlights the hypocrisies of social, cultural, and political life in Chile, echoing experiences in other regions of Latin America.
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Problemista
Directed, written, and starred by Salvadoran comedian Julio Torres (Los Espookys), Problemista is a comedy that presents an absurd premise and doesn't worry about its credibility, and instead embraces its ridiculousness and runs with it. Set in an unspecified time in New York, Álex (Torres) aspires to be a toy inventor at Hasbro, with ideas as absurd as Barbies with crossed fingers or Cabbage Patch dolls with cellphones. To make ends meet, he works at a cryogenization clinic that freezes patients to wake up in the future (although there's no certainty that such technology will exist). When he is fired, he takes a job as an assistant to the neurotic Elizabeth (Tilda Swinton at her finest), who harbors the unreal idea of curating an exhibition of her artist husband's paintings, one of the frozen patients. With a production design that indulges in camp (closer to Roger Waters than to Pedro Almodóvar), using cheap costumes and ridiculous digital special effects, Torres builds a surreal and amusing atmosphere that satirizes the twisted difficulties of living in the United States (especially for Latin immigrants), the banal and stupid egocentrism of the cultural elites, and the absurdity of corporatism. Its eccentricity may repel some, but if you approach it on these terms, you'll leave the cinema having seen something truly unique.
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