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Why watch this film?
A work from the "master of terror" Stephen King in the hands of the "blood baron," David Cronenberg, would seem like a dream come true. 'The Dead Zone' may not be as spectacular as other entries in Cronenberg's filmography, like 'Invasion of the Body Snatchers' or 'Scanners: Minds Destroyers', but it is an effective horror thriller in which Christopher Walken is able to submerge us in his madness: that of someone who is able to know the future and all the horrors it holds.
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Filmelier
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Plot summary
A man awakens from a coma to discover he has a psychic ability.
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Maps to the Stars
A movie about lost souls, portraying some of the profiles that float around Hollywood. However, this isn't an easy movie for everyone's taste. Recommended for those who want something acidic, seemingly aimless, pessimistic, and disturbing.
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A History of Violence
From the great director David Cronenberg and based on the graphic novel of the same name by John Wagner and Vince Locke, 'A History of Violence' is a beguiling film that at first appears to have a straightforward and simple story. Nominated for the Palme d'Or at Cannes and two Academy Awards, this is a film with complex characters all expertly acted by an incredible cast led by Viggo Mortensen.
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Videodrome
It is the first movie produced by Hollywood from director David Cronenberg, alias "the Baron of Blood," and it certainly delivers on spectacular special effects for its time. Despite being a box office flop, 'Invaders' (better known as 'Videodrome', its original title) was well received by critics, as it reflects on topics such as entertainment, technology, and the media. It remains surprisingly relevant even today, in the digital age of social media.
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A Dangerous Method
This co-production between Germany and Canada, but recorded in English and with a great international cast, mixes reality and fiction to portray one of the most turbulent relationships in science: between Carl Jung and Sigmund Freud, with Sabina Spielrein (the first female psychoanalyst) between them. The direction of David Cronenberg (of 'The Fly') is competent, but the highlight is on the performances of the trio of Michael Fassbender, Keira Knightley and Viggo Mortensen.
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Cosmopolis
Based on Don DeLillo's novel and directed by David Cronenberg ("The Fly"), "Cosmopolis" is a mix of suspense and dystopian science fiction, set in a not-so-distant future. As such, it is a distant and cold portrait of the millionaires and the educated apathy towards the humanitarian crises around them, insensitive to their personal interests and their lavish lives that, paradoxically, leave them hungry for real connections - a fact symbolized, in part, by the protagonist's total isolation in his limousine equipped with state-of-the-art technology and soundproofing. The dialogues are somewhat tense, perhaps to reflect the coldness of an elite obsessed with reason and money, which accentuates the somewhat tedious pace of the movie. Official selection of the Cannes Film Festival 2012, and with the participation of great Juliette Binoche, Paul Giamatti and Sarah Gadon.
![Crimes of the Future](https://media.filmelier.com/tit/ZWgzmc/thumb/crimes-of-the-future_rH_-BEg.jpeg)
Crimes of the Future
In "Crimes of the Future," Kristen Stewart's character Timlin whispers, "Surgery is the new sex." Directed and written by David Cronenberg, the film is situated between "Videodrome" and "Crash: Strange Pleasures." Here, bodily change is something minor. The focus is actually on internal changes within the body, creating new organs and causing an almost artificial "evolution." At the center of attention are Saul Tenser (Viggo Mortensen) and Caprice (Léa Seydoux), performance artists focused on "producing" new organs, tattooing them still inside people's bodies and then removing them in public exhibitions. It shows not only the ability of this ever-dying man to produce new internal tissues, but also how this woman can make even more artificial modifications (tattoos) perfectly. In parallel to this there is also the plot of Dotrice (Scott Speedman), a man who, after the murder of his son at the beginning of the story, begins to go after Saul. The reason? He wants the artist to do an autopsy as a work of art. With a noir style, with many shadows and this character of Saul transiting in this scenario, "Crimes of the Future" brings some good reflections. Although there is nothing new in this, the search for pleasure through pain is placed in an extreme scenario here, with gore sequences that should make the most sensitive stomachs turn. It is interesting to show this pain and mutilation arriving at an artistic stage in this dystopian future. After all, if pain is pleasure, do we have here profane, perhaps pornographic presentations? It is a new and interesting look at voyeurism, which also raises a pertinent question: how far can we go? Click here to read the full review.
![Crash](https://media.filmelier.com/tit/sM0i1X/thumb/crash_F2KauSw.jpeg)
Crash
David Cronenberg's "Crash" is a provocative and disturbing exploration of the human fascination with death and the eroticization of danger. The film follows a TV director who becomes involved with an underground subculture of car-crash victims who use the raw sexual energy produced by their accidents to rejuvenate their sex lives. Despite the film's explicit premise and sexual content, Cronenberg's clinical direction creates a surprisingly distant and detached atmosphere. However, this approach is ultimately effective in highlighting the characters' emotional detachment and the disturbing nature of their fetish. The film's themes and imagery are classic Cronenberg territory, exploring the intersection of technology, sexuality, and human desire. The cast, including James Spader and Holly Hunter, delivers strong performances, fully embodying the characters' complex and often unsettling motivations. "Crash" is not for the faint of heart, but for those willing to delve into its dark and twisted world, it offers a thought-provoking and unforgettable cinematic experience.
![The Fly](https://media.filmelier.com/tit/fH4F1r/thumb/the-fly_k-7qKK0.jpeg)
The Fly
This mix of science fiction and horror is another good example, just like 'Alien', of how these two genres work well together. Directed by David Cronenberg (of such provocative films as 'Twins' and 'Crash'), the feature film tells the story of a scientist (Jeff Goldblum) who successfully develops a teleportation machine. However, things start to go wrong when he unwittingly takes a trip through the device with a fly inside the teleportation cabin. The genes of the two mix. Human and fly. Gradually, then, this scientist begins to metamorphose into a horrendous creature. Shocking, daring and very creative, the feature film has some stomach-turning scenes - the makeup of 'The Fly' is not for nothing, it was awarded the Oscar in the category in 1987. But the movie is more than shock and horror. With a remarkable and accurate performance by Goldblum ('Jurassic Park'), the production also explores the limits of the human being in an increasingly connected and technological world. And, after all, there is a very fine irony in this story: are we not simply regressing as we become increasingly immersed in technologies?
Horror
The Exorcism
The Exorcism marks the second film featuring star Russell Crowe in an exorcism role within a year—the other being the fun and carefree The Pope's Exorcist. Here, however, Crowe isn't exactly an exorcist but an actor playing this common type of character in a horror film. Marked by filming delays, interrupted during the pandemic and resumed four years later, the feature attempts to play with the metanarrative of the proposal and how actors relate to their characters, making brief comments on how the stories they portray can seep into the lives of the actors themselves. It is far (very far!) from a perfect film, with a broken rhythm and a glaring lack of depth. However, it can still be entertaining—despite all the parental drama—to watch Russell Crowe once again portray this character battling demons.
![Run Rabbit Run](https://media.filmelier.com/tit/cNiuTK/thumb/run-rabbit-run_ilc7efQ.jpeg)
Run Rabbit Run
Loss and family trauma have been fertile themes in horror in recent years, with films like The Babadook and Relic. Understandably, similar themes can become tiresome, which could be said about Run Rabbit Run. The film follows a fertility doctor (Sarah Snook, Succession), whose seven-year-old daughter (Lily LaTorre) begins to exhibit strange behaviors that mimic those of a deceased family member. The movie builds tension around this mystery, gradually revealing the events that led to the past tragedy. Its lack of novelty is compensated by a genuinely tense and terrifying atmosphere, with strong performances from Snook and debutante Lily LaTorre.
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Arcadian
Arcadian - A thrilling post-apocalyptic horror film, directed by Benjamin Brewer and starring Nicolas Cage. Cage plays a father who, together with his twin sons, struggles to survive in a devastated world, facing sinister creatures that appear at night. With a talented young cast, including Jaeden Martell and Maxwell Jenkins, and shown at SXSW 2024, it promises an intense and visceral experience, marked by impactful images.
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The Forbidden Play
Naoto Ihara lives happily with his wife Miyuki and their son Haruto. Their happiness is crushed when Miyuki suddenly dies in a car accident. Naoto falls into deep grief over the death of his wife. Meanwhile, Haruto buries his dead mother Miyuki’s finger in their garden and prays everyday for her to come back to life. The family is visited by video director Hiroko Kurasawa, who used to work with Naoto Ihara. There she sees Haruto shouting a strange spell in their yard. Unexpected and bizarre phenomenons soon take place around Hiroko Kurasawa.
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